Chair Professor in Humanities
Director

evaman@hkbu.edu.hk
34118128
Education: 
Ph.D. (Chinese Studies, The Chinese University of Hong Kong)

Area of Interests: 
Comparative Aesthetics / Neo-Confucian Philosophy / Feminist Aesthetics and Philosophy / Gender Studies / Cultural Studies

Major Highlights: 
2016

Bodies in China: Philosophy, Aesthetics, Gender and Politics, NYC: State University of New York Press (SUNY) and Hong Kong: Chinese University Press, 255 pages. November, 2016.

“Female Bodies in China: Literati Fantasies, Iron Girls and Olympics Hoopla”, Sonia Sikka, Kathleen Higgins & Shakti Maira ed. Artistic Visions and the Promise of Beauty: Cross-Cultural Perspectives, Springer, September 2016.
2015 Issues of Contemporary Art and Aesthetics in the Chinese Context. Heidelburg (Germany): Springer Berlin Heidelberg, Sept, 2015. (ISBN :978-3-662-46509-7, 120 pages.
【獨與天地精神往來—當代中國美學新視域】。香港:中華書局。2015年4月。共頁201。
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Academic Preparation

1987- 1990              Ph.D. in Chinese Studies, The Chinese University of Hong Kong
1984- 1987              M. Phil. in Philosophy, The Chinese University of Hong Kong
1975- 1979              B.A.(Hons), The Chinese University of Hong Kong    (major: Philosophy, minor: Psychology)

Employment History

2017- Present         Director, Academy of Film, HKBU (Acting)
2014- Present         Executive Associate Dean, Graduate School, Hong Kong Baptist University (HKBU)
2011- 2012               Director, Academy of Visual Arts, HKBU (Acting)
2013- Current         Professor, Department of Humanities and Creative Writing, HKBU
2005- 2012              Professor, Department of Religion & Philosophy, HKBU
1997- 2005              Associate Professor, Department of Religion & Philosophy, HKBU
1991- 1997               Assistant Professor, Department of Religion & Philosophy, HKBU
1984- 1989              Teaching Assistant, Philosophy Department, Chinese University of HK

Professional Qualifications / Membership

2016- 2019              Trustee (elected), American Society for Aesthetics (ASA)
2014- Present         Member, Society for Comparative Asian Philosophy (SCAP)
1997- Present         Member, Chinese Association for Aesthetics (CAA)
1995- Present         Member, International Association for Aesthetics (IAA)
2007- 2010              Delegates-at-Large, International Association for Aesthetics (IAA)
1992- Present         Member, The American Society for Aesthetics (ASA)
1998- 2000             Vice-president, Hong Kong Philosophy Society
2000                        Member, International Association for Art Critics (IAAC)
1985                         Founding and executive committee member, Hong Kong Philosophy Society

Honors, Awards and Scholarships

2016                         Faculty Award for Outstanding Performance in Scholarly Work, HKBU
2015                         Fellow, Hong Kong Academy of Humanities, UGC, HK
2009- 2010             AMUW Woman Chair Professor, Marquette University, USA
2004                         Life Fellow, Clare Hall College, University of Cambridge, UK
2003- 2004             Visiting Fellow, Clare Hall College, University of Cambridge, UK
2003- 2004             Visiting Scholar, Faculty of Philosophy, University of Cambridge, UK
2003- 2004             Fulbright Scholarship, (U.S. & Hong Kong Fulbright Program), Centre for Chinese Studies, University of Berkeley, CA., USA
2002                         President’s Award for Outstanding Performance in Scholarly Work, HKBU
1996- 1997              Visiting Scholar, School of Theology, Boston University, Boston, MA., USA
1996- 1997              Visiting Scholar, Yenching Institute, Harvard University, Cambridge, MA., USA

Professional & Administration Experience

2014-                       Executive Associate Dean, Graduate School, HKBU
2013- 2014              Head, Department of Humanities and Creative Writing, HKBU
2011- 2012               Director of Visual Art Academy, HKBU (Acting)
2009- 2010             Co-ordinator, B.A. in Liberal and Cultural Studies, HKBU
2009                        AMUV Woman Chair, Marquette University, USA
1997- 2008             Head of Humanities Programme, Hong Kong Baptist University
2004-                       Professor, Department of Religion & Philosophy, HKBU
1997- 2004              Associate Professor, Department of Religion & Philosophy, HKBU
1991- 1997               Assistant Professor, Department of Religion & Philosophy, HKBU
1984- 1989              Teaching Assistant, Philosophy Department, Chinese University of Hong Kong
1982- 1984              Program Producer, Cultural Program Unit, Radio Television Hong Kong
1982- 1982              Assistant Cultural Manager, Cultural Presentations, USD, Hong Kong Government
1979- 1982              Housing Assistant, Hong Kong Housing Authority, Hong Kong Government
1977- 1979              Program Host, Breakthrough Hours, Commercial Radio Hong Kong

Teaching Experiences

Courses Offered & Taught

2014                         Graduate Seminar: Gender and Philosophy
2011                          Love and Culture (G.E. Course for HKBU)
2009                         Body Cultures
2007                         Current Issues in Visual Art and Cultural Policy
2007                         Feminist Philosophy (For MA in Philosophy, CUHK)
2004                         Body Theories, Body Cultures and the Hong Kong Bodies (for Humanities year 3 major & non- major electives)
1997-                         Introduction to the study of Humanities (for Humanities year 1 major)
                                  Gender Studies (for Humanities year 2 major & non-major electives)
                                  Artistic Creativity and Aesthetic Awareness I (for Humanities year 3 major & non-major electives)
                                  Artistic Creativity and Aesthetic Awareness II (for Humanities year 3 major & non-major electives)
1991- 1997                The Human Self-Discovery (for Humanities year 1 major & non-major electives)
                                  Chinese and Western Modes of Thought
                                  (for Humanities year 2 major, Translation year 1 major & non-major electives)
                                  The Study of Culture (for Humanities year 2 major, Translation year 2 major & non-major electives)
                                  Human Creativity and Aesthetic Awareness (for Humanities year 3 major & non-major electives)
                                  Philosophers on Life (Religion & Philosophy elective subject)
                                  Introduction to Philosophy (Religion & Philosophy elective subject)
                                  Great Thinkers on Life (Religion & Philosophy elective subject)
2.    【女性主義哲學與身體美學】。廣西:廣西師範大學出版社。2016年6月, 共頁216。 
3.    Issues of Contemporary Art and Aesthetics in the Chinese Context. Heidelburg (Germany): Springer Berlin Heidelberg, Sept, 2015. (ISBN :978-3-662-46509-7, 120 pages.

Scholarly Work / Publications

Academic Books

1.    Bodies in China: Philosophy, Aesthetics, Gender and Politics, NYC: State University of New York Press (SUNY) and Hong Kong: Chinese University Press, 255 pages. November, 2016. 
4.    【獨與天地精神往來—當代中國美學新視域】。香港:中華書局。2015年4月。共頁201。
5.    【美學與性別衝突:女性主義審美革命的中國境遇】。北京:北京大學出版社。2005年1月, 共頁216。
6.    【自主的族群:十位香港新一代女性視覺藝術家】。香港藝術發展局贊助。香港:中華書局。2000年3月。共頁184。
7.    【性別與創造:女性主義美學及其他】。香港:香港人文科學出版社。1996年10月。共頁207。
8.    【藝術自然與人文 - "中國美學的傳統與現代】。台北: 允晨出版社。1993年9月。共頁409。

Academic Edited Books

1.    【與香港藝術對話】。黎明海、文潔華編著。香港: 三聯書店。2015年1月。共478頁。
2.    【香港嘅廣東文化】。文潔華編。香港: 商務印書館。2014年11月。共頁262。
3.    【粤语的政治: 香港語言文化的異質與多元】。文潔華編。香港: 中文大學出版社。 2014年8月。共頁244 。
4.    Yiu-Wai Chu & Eva Kit-Wah Man (ed.), Contemporary Asian Modernities: Transnationality, Interculturality and Hybridity (Series of Worlds of East Asia; Band 16), Bern: Peter Lang Ag, Jan, 2010, 315 pages.
5.    【雜嘜時代: 文化身份、性別、日常生活實踐與香港電影1970】。文潔華, 羅貴祥編。香港: 牛津大學出版社。 2005年11月。共頁220 。
6.    【朱光潛與當代中國美學】。(編著)。【香港浸會大學中文學術叢書之二】。香港:中華書局。1998年11月。共頁276。
7.    【哲學淺說新編】。勞思光著。(編選)。香港:香港中文大學出版社。1998年10月。共頁135。
8.    【嘔吐:港台女性主義文學選】。 (編選) 。沈陽:春風文藝出版社。1995年7月。共頁380。

Creative Work in Books

1.    【是時候讀一點哲學——處混亂、得聰明】。香港: 亮光文化。2014年11月,共頁199。
2.    【藝術沒有終結】。香港:次文化堂出版社。2013年7月,共頁203。
3.    【蝴蝶的血】。香港:次文化堂出版社。2012年7月,共頁201。
4.    【西方哲學故事——另一種述說方式】。香港:次文化堂出版社。2011年7月,共頁302。
5.    【裸睇——中西裸體藝術名作賞析】。香港:次文化堂出版社。2010年7月,共頁218。
6.    【唯心旅程】。香港:Handheld Culture 出版社。2010年7月。(電子書)
7.    (藝術是唯一的理由)。香港:次文化堂出版社。2008年7月。共頁137。 (獲選香港電台 「2008 年度香港書獎」決選書。)
8.    (身語心語)。香港:次文化堂出版社。2003年11月。共頁192。
9.    (愛與痛的流程)。香港:次文化堂出版社。2003年11月。共頁192。
10.    (未止的心靈)。 香港:基督教卓越使團。2000年7月。共頁178。
11.    (香港老照片)。合著者:陶傑、丘世文、劉天賜。香港:天地圖書公司。1999年1月。共頁215。
12.    (甲蟲西西弗斯)。香港:壹出版。1998年11月。共頁228。
13.    (閱讀生活)。香港:現代教育研究社。1998年6月。共頁262。
14.    (途上的彩虹)。香港:零與壹出版社。1998年3月。共頁148。
15.    (誰說女人都是一樣)。 香港:突破出版社。1997年6月。共頁184。
16.    (自己的天空)。香港:零與壹出版社。1996年4月。共頁183。
17.    (誰最浪漫? )。 (創作散文集)。台北:允晨出版社。1993年9月。共頁187。
18.    (意念與真情)。香港:突破出版社。1990年。共頁127。

Academic Book Chapters

1.    “Female Bodies in China: Literati Fantasies, Iron Girls and Olympics Hoopla”, Sonia Sikka, Kathleen Higgins & Shakti Maira ed. Artistic Visions and the Promise of Beauty: Cross-Cultural Perspectives, Springer, September 2016 (Forthcoming with contract).
2.    “Chinese Bodies in Philosophy, Aesthetics, and Politics: Methodologies and Practices” in Tan Sor-woon ed., The Bloomsbury Research Handbook of Chinese Philosophy Methodologies. London, UK: Bloomsbury Publishing Plc., July 2016. 257-270.
3.    Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting, in Peng Feng ed., Aesthetics and Contemporary Art, International Yearbook Of Aesthetics (2012), Volume 16, August, 2016, pp. 128-146 (Esteeemed publication to be selected into the Yearbook out of 150 papers.)
4.    “從西方女性主義批評現代藝術的處境再思孔子樂教的智慧” ,中國學者新世紀學術貢獻 (前沿理論選集(下)) 陳亞平、劉悅笛、宋仕勇主編。寧夏人民出版社。 2015年10月。 頁 617-633。
5.    “Influence of Global Aesthetics on Chinese Aesthetics: The Adaptation of Moxie and The Case of Dafun Cun,” Perspectives on Contemporary Aesthetics, Arnold Berleant and Yuriko Saito ed. Providence, Rhode Island School of Design, December 2015, 129-147. (Reprint, Esteem Measure)
6.    “從比較美學再思徐復觀先生的藝術創造論” ,全球與本土之間的哲學探索。 鄭宗義、林月惠編。台北:學生書局。2014年6月。頁157-170。
7.    “Beauty and the State: Female Bodies as State Apparatus and Recent Beauty Discourses in China,” in Beauty Unlimited, edited by Peg Brand, Bloomington & Indianapolis, Indiana University Press, January, 2013, 368- 384.
8.    "Female Bodily Aesthetics and Their Early Revelations in the Book of Songs", Ho, Clara (ed). Overt and Covert Treasures: Essays on the Sources for Chinese Women's History, Hong Kong: Chinese University of Hong Kong, July 2012, 113-130.
9.    "Expression Extreme and History Trauma in Female Bodily Art in China: The Case of He Cheng Yao", in Wiseman, Mary Bittner and Liu, Yuedi, eds. Strategic Strategies in Contemporary Chinese Art.. Leiden: Brill Academic Publishing, March 2011, 171-191.
10.    "Experimental Painting and Painting Theories in Colonial Hong Kong (1940-1980): Reflections on Cultural Identity" in Wiseman, Mary Bittner and Liu, Yuedi, eds. Strategic Strategies in Contemporary Chinese Art. Leiden: Brill Academic Publishing, March 2011, 333-353.
11.    “The Relation of ‘Self’ and “Others” in the Confucian Traditions and Its Implications to Global Feminisms and Public Philosophies,” in Yiu-Wai Chu & Eva Kit-Wah Man (ed.), Contemporary Asian Modernities: Transnationality, Interculturality and Hybridity (Series of Worlds of East Asia; Band 16), Bern: Peter Lang Ag, Jan, 2010, 231-244.
12.    “A Historical Review and Reflection on the Confucian “Great Learning” and its Contemporary Implications for Higher Education,” in R. Mak (ed)., Transmitting The Ideal of Enlightenment: Chinese Universities since the Late Nineteenth Century, Maryland: University Press of America Inc., December 2009, 135-148.
13.    “中國傳統儒家知識論之當代意涵”,劉國英、張燦輝編, 求索之迹:香港中文大學哲學系六十周年系慶論文集 ,香港:香港中文大學,2009年7月。139 - 155。
14.    "Some Reflections on Multiculturalism and Asian Feminism and the Case of Cultural Policy Addresses and Women Rights in Hong Kong," in Tze-wan Kwan (ed.) Responsibility and Commitment, Waldkirch, Germany: Edition Gorz, July 2008, 265-276.
15.    “The Origin of Aesthetic Experience as the Key to Comparative Aesthetics: The Case of Confucian Aesthetics and the Recent Suggestion of Its Reference to Western Feminist Aesthetics,” in Wilkinson, R. (ed) New Essays in Comparative Aesthetics, Newcastle (U.K.) Cambridge Scholars Publishing, Oct., 2007, pp. 109-118.
16.    文潔華,“女子狄娜——七十年代香港情色電影的個案研究”, 文潔華、羅貴祥編。 【雜嘜時代:文化身份、性別、日常生活實踐與香港電影1970】。 香港:牛津大學出版社】。 2005年11月,頁 90-104。
17.    「我們的都巿,我們的英雄」。二十一世紀(月刊)。香港:香港中文大學中國文化研究所。2003年6月號。第77期,頁95-99。
18.     “Female Bodily Aesthetics, Politics, and Feminine Ideals of Beauty in China,” in Peg Zeglin Brand (ed.) Beauty Matters, Bloomington: Indiana University Press, April, 2000, pp. 169-196.
19.    「當代藝術家的社會角色:文化先知‧社會英雄抑或巫師?」。文思慧‧梁美儀合編:《專業交叉點---專業倫理的理念與實行》。香港:青文書店。2000年1月。頁144-174。
20.    「全球化下的身分認同與迷失」。鄒崇銘主編:《千禧年‧全球化‧新思維》。香港:明報出版社。2000年1月。頁128-132。
21.    「朱光潛美感教育論與當代中國美學研究」。文潔華編著。《朱光潛與當代中國美學》。香港:中華書局。1998年11月。頁 193-218。
22.    「性別與舞蹈」。陶寶華編。《價值與社會》。北京:中國社會科學院出版社。1997年8月。頁 337-351。
23.    「香港繪畫美學與文化身份的反思(1940 – 1980)」。文思慧編。《思行交匯點 – 哲學在香港》。香港:青文書店。1997年6月。頁 75-102。
24.    「六十年香港的電影與女性身份」。田邁修、顏淑芬編。《香港六十年代:身份、文化認同與設計》。香港:香港藝術中心。1995年3月。頁 75-77。
25.    「儒家與中國婦女」。鄒逸蘭等著。《尋 – 女性神學的台灣經驗》。台北:光啟出版社。1992年11月。頁42-44。
26.    "Lili Marleen," Remembering Fassbinder: A Retrospective [ Hong Kong: Goethe Institute], November 1992, pp.42-44. (in English and Chinese)

Academic Book Reviews

1.    書評「劉千美:差異與實踐-當代藝術哲學研究」。二十一世紀 (月刊)。香港:香港中文大學中國文化研究所。2001年8月號。第66期,頁152-155。
2.    “On Jiang Xiaoyuan’s Xing Zhangli xia de Zhongguo ren ( Chinese people under sexual tension, Shanghai: Shanghai renmin chuban she, 1995. 332pp. ), Nan Nu, Leiden: Brill, Vol.1, Issue 2, 1999. pp. 305-7.
3.    書評「劉小楓:沉重的肉身」。明報月刊。香港:明報出版社。1999年4月。頁100-102。

Academic Journal Articles

1.    “A Cross-Cultural Reflection on Shusterman’s Suggestion of the “Transactional” Body”, Frontiers of Philosophy in China, 中國哲學前沿, Brill & Front. Philos. China. 2015, 10 (2): 181-191. DOI: 10.3868/s030-004-015-0014-8. http://journal.hep.com.cn/fpc/EN/1673-3436/current.shtml
2.    “Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting”, Journal of Somaesthetics, Denmark: Aalborg University Press, Issue Vol.1 No. 1 (2015), February, 2015. http://journals.aau.dk/index.php/JOS/article/view/1074 (The Journal of Somaesthetics is published in association with the Research Program in Body, Art & Technology at Aalborg University (Denmark) and the Center for Body, Mind, and Culture at Florida Atlantic University. It is published by Aalborg University Press.)
3.    「西方女性主義美學:發展與批評」, 中國國家美術。北京:《中國國家美術》雜誌。 總期第18期,2014年2月, 頁102 -107。
4.    “「充餘之美」- 唐君毅先生論中國藝術精神”,人文中國學報,香港浸會大學《人文中國學報》編輯委員會編,上海:上海古藉出版社。 2013年11月,頁433-456。
5.    “Influence of Global Aesthetics on Chinese Aesthetics: The Case of Dafun Cun,” Contemporary Aesthetics, http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=674, vol.11 (2013), November 2013.
6.    “What is an author? A comparative Study of Soren Kierkegaard and Liu Xie on the Meaning of Writing,” Journal of Chinese Philosophy, Maiden, MA: Wiley, volume 40, Issue 1, (March 2013), 123–142.
7.    “Sex and Emotion: Change of the Related Discourses among Some Chinese Female Sex Workers and their Representations in the Cosmopolitan Context,” The International Journal of the Humanities, Champaign, Illinois, USA: Common Ground Publishing LLC. Vol. 9, Issue 8, (April, 2012), 217-229.
8.    “Contemporary Philosophical Aesthetics in China: The Relation between Subject and Object,” Philosophy Compass. Hoboken, NJ: Wiley-Blackwell, vol. 7, 2012 (March, 2012), 164-173. (Philosophy Compass is top Indexed /abstracted in British Humanities Index (CSA/CIG))
9.    “腕不虛畫非是:筆畫哲學和中國新水墨繪畫的存與變”。《藝術與科學》。北京:清華大學出版社。2011年5月, 卷十一,頁132-137。
10.    “A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong and Its Implications for Cultural Identities,” Visual Anthropology, (ed) by Paul Hockings, Routledge: Taylor & Francis, January, 2011, 90-105.
11.    "Some Reflections on Confucian Aesthetics and Its Feminist Modalities,” The International Journal of the Humanities, Champaign, Ill., USA: Common Ground Publishing LLC, Vol. 8, Issue 1, June 2010, 1-12.
12.    "芭特勒對薩特身體觀的閱讀探析”,現代哲學,廣東:現代哲學雜誌社。2009年第1期(第102期), 2009年1月, 頁85-91。(CSSCI)
13.    《關於香港文化施政報告和婦女權利的思考》,中國女性主義, (桂林: 廣西師範大學出版社)。第10期, 2008年6月, 頁3-13。
14.    “美感經驗的完結? 當代英美美學的基源問題與儒學的詮釋”, 清華大學學報(哲學社會科學版)。北京:清華大學出版社。2007年第6期第22卷 。2008年1月。頁89-93。
15.    “對認識論中女性主義視角的進一步反思”,中山大學學報 (社會科學版), 中國廣州:中山大學學報編輯部,第48卷第1期, 2008 年1月,頁112-119。
16.    “A Contemporary Reflection of a Confucian Theory of the Body: ‘Natural’ or Further Construction?” The Proceedings of The Twenty-First World Congress of Philosophy (Vol. 7, Philosophy of Culture(s)), Ankara: Philosophical Society of Turkey, Dec., 2007, 173- 177.
17.    “Rethinking Art and Values: A Comparative Revelation of the Origin of Aesthetic Experience (from the Neo-Confucian Perspectives),” Filozofski vestnik, Ljubljana: Institute of Philosophy in the Centre for Scientific Research of the Slovenian Academy of Sciences & Arts. Vol.XXVIII, No. 2/2007, June 2007, pp. 117- 131.
18.    "關於儒家婦女身體觀的一些思考—— 論哲學與性別意涵,”儒學、文化與宗教:劉述先先生七秩壽慶論文集。李明輝、葉海煙、鄭宗義 合編。臺北:臺灣學生書局。2006年10月。頁385- 403。
19.    “Reclaiming the Body: Francis Bacon’s Fugitive Bodies and Confucian Aesthetics on Bodily Expression,” Aesthetics and Culture: East and West, eds. Gao Jian Ping & Wang Keping, China: Anhui Educational Publishing, June, 2006, pp. 135-162.
20.    "中國傳統儒家知識論之當代意蘊” 清華大學學報(哲學社會科學版)。北京:清華大學出版社。2006年第1期第21卷 (83期)。2006年3月。頁100-106。
21.    "奇女子狄娜:20世紀70年代香港情色電影個案研究”,中國女性主義 4, 荒林主編。桂林:廣西師範大學出版社。2005夏,頁193-207。
22.    “A Confucian Reflection on the Future Prospects of the Humanities Education,” International Journal of the Humanities, Vol. 1, 2003, http://www.ijh.cgpublisher.com/product/pub.25/prod. 5, April, 2005.
23.    《中國傳統儒家知識論之當代意涵》,文化自覺與社會發展——二十一世紀中華文化世界論壇論文集。二十一世紀中華文化世界論壇籌備委員會主編。香港:商務印書館(香港)有限公司。2005年3月。頁431-440。
24.    《牟宗三先生的審美經驗論與西方女性主義美學新發展》,中國女性主義 , (桂林:廣西師範大學出版社)。2005年3月。頁59-69。
25.    “Reclaiming the Body: Francis Bacon’s Fugitive Bodies and Confucian Aesthetics on Bodily Expression,” Contemporary Aesthetics (http://www.contempaesthetics.org), 2 (2004), July, 2004. Australia: Common Ground Publishing Pty Ltd, pp. 621-631.
26.    “身體的回歸:法蘭西斯‧培根隱晦的身體與儒家身體美學” ,民族藝術研究 。雲南:雲南省民族藝術研究所,雲南大學人文學院, 雲南大學藝術學院 & 雲南大學出版社。2004年5月。第3期,頁23 -29。(CSSCI)
27.    “潘光旦論馮小青之影戀性心理”,《人文中國學報》, 香港浸會大學《人文中國學報》編輯委員會編,(上海:上海古藉出版社),第10期,2004年5月,頁83-103。
28.    “The Trinity 'Hong Kong- China- The World’: The Antagonism of Cultural Identities as A Form of Hegemony in the Postcolonial Hong Kong Art (from the 90s of the previous century onward),” BOREC (REVIJA ZA ZGODOVINO, ANTROPOLOGIJO IN KNJIZEVNOST), (The Fighter, The Journal for History, Anthropology and Literature," Ljubljana, Slovenia: the Society for History, Anthropology and Literature & the Ministry of Culture of Slovenia. LV, 2003, st.608-611, December, 2003, pp.219-237.
29.    “勞思光先生早期思想中理想的人文精神——從「窮智見德」到「德智貫融」”。劉國英、張燦輝合編。《無涯理境—勞思光先生的學問與思想》香港:香港中文大學。2003年11月。頁39-56。
30.    "Some Reflections on 'Feminist Aesthetics': Private /Public? Personal/ Political? Gender/ Post-Colonial?--- The Case of Young Women Art in Post-Colonial Hong Kong," The Great Book of Aesthetics, Conference Proceedings of the 15th International Congress of Aesthetics, edited and published by Ken-ichi Sasaki and Tanehisa Otabe, The Organizing Committee of the 15th International Congress of Aesthetics c/o Institute of Aesthetics and Philosophy of Art, Faculty of Letters, The University of Tokyo, Tokyo, Japan. October, 2003.
31.    “'Feminist Aesthetics' in Post-Colonial Hong Kong: Private /Public? Personal/ Political? Gender/ Post-Colonial?, " LIKOVNE BESEDE/ ART WORDS, Slovenia’s Ljubljana: Union of the Slovene Fine Artists Associations, September 2003, pp.49-57.
32.    “初探西方哲學中客體化觀念之性別意涵”。黎志添、劉國英、張燦輝合編。在求真的道路上。台北:中華書局。2003年8月。頁241-261。
33.    “從勞思光先生對文化哲學的論析反思女性主義思想的一些基本問題”。勞思光思想與中國哲學世界化學術研討會論文集。台灣華梵大學哲學系編。台北:行政院文化建設委員會出版。2002年12月。pp.169-186。
34.    "A Critical Reflection on a Suggested Return to Aesthetic Experience in Socialist China", Journal of Aesthetic Education, Champaign: University of Illinois Press, Vol. 35, No.4, Winter 2002, pp.47-55.
35.    "初探生態女性主義與儒家哲學中之自然觀",賴品超、李景雄編:《儒耶對話新里程》(香港中文大學崇基學院宗教與中國社會研究中心。2001年10月)。pp.104-123。
36.    "The Notion of "Orientalism" in the Modernization Movement of Chinese Painting of Hong Kong Artists in 1960s: The Case of Hon Chi-fun", Filozofski vestnik, Ljubljana: Institute of Philosophy in the Centre for Scientific Research of the Slovenian Academy of Sciences & Arts. Vol.XXII, No. 2/2001, August, 2001, pp.161-178.
37.    《從西方現代藝術處境再思孔子樂教的功能》清華大學學報(哲學社會科學版)。北京:清華大學出版社。2001年第1期第16卷 (4/2001)。頁81-88。(CSSCI)
38.     "The View of Nature in Eco-feminism and Chinese Philosophy”, International Journal for Field-Being, (Electronic Journal), July , 2000, Inaugural Issue. http://apps.fairfield.edu, IJFB, vol.1 (1), part 1, Article No. 10, 2001. (Citation URL: http://www.iifb.org/ijfb/EKMan-1.htm)
39.    "Contemporary Feminist Body Theories and Mencius’s Ideas of Body and Mind”, Journal of Chinese Philosophy, Oxford (U.K.): Blackwell, June, 2000. Vol.27, Issue 2, pp.155-169.
40.    「從朱光潛的主客觀統——說到中國現代美學體系」。葉朗主編:《美學的雙峰:朱光潛‧宗白華與中國現代美學》。合肥:安徽教育出版社。1999年7月。頁25-42。
41.    "Investigation into the Religious Aspects of Confucianism", The Lutheran World Federation Ninth Assembly Report, Switzerland: The Lutheran World Federation Office for Communication Services, March 1998, pp.135-138.
42.    「從對康德『判斷力批判』之批判到道家「智的直覺」——牟宗三論審美經驗的起源。」。江日新主編。《牟宗三哲學與唐君毅哲學論》。台北:文津出版社。1997年12月。頁225-242。
43.    「西方女性主義美學:發展與批評」。北京大學學報。北京:北京大學出版社等34卷。第6期,總184期,1997年11月。頁137-144。(CSSCI)
44.    "Fashion and Women Identities in the Sixties in Hong Kong", Conference Proceedings of the XIIIth International Congress of Aesthetics (1995) (Proceedings III: Practical Aesthetics in Practice and Theory). Lahti: University of Helsinki, Lahti Research and Training Centre, November, 1997, pp.161-166.
45.    「論中國大陸 <現代美學體系>中的 『審美感興觀』」。人文中國學報。香港:香港浸會大學。第4期。1997年7月。頁163-186。
46.    「藝術史研究的當代挑戰與香港藝術史研究」。價值與社會(1994)研討會論文集。香港:嶺南學院。1997年5月。頁171-178。
47.    "Chinese Philosophy and the suggestion of a New Aesthetics", Journal of Chinese Philosophy, Hawaii: Dialogue Publishing Co., No. 23 (1996) Spring, 1997, pp.453-466.
48.    「現代舞及其社會涵義」。價值與社會(1994)研討會論文集。香港:嶺南學院。1997年5月。頁 74-82。
49.    "Understanding the Social Status of Women in China", Word & World: Theology for Christian Ministry, Minnesota: Luther Seminary. No.2, Vol.XVII Spring, 1997, pp.168-174.
50.    "Experimental Painting and Painting Theories in Colonial Hong Kong (1940-1980): Reflection on Cultural Identity", Filozofski vestnik, Ljubljana: Institute of Philosophy in the Centre for Scientific Research of the Slovenian Academy of Sciences & Arts. Vol.XVII, No. 2/1996, February, 1997 pp.83-105.
51.    「藝術史的現代挑戰——從人文主義現點到多元詮釋」。文學史。北京:北京大學出版社。1996年6月。頁266-279。.
52.    "Feminist Aesthetics in Body: Hong Kong Chinese Women, Fashion & Identity in the Sixties", Anthropos, Ljubljana: Slovensko filozofsko drustvo, Vol. 28, No. 3-4, December, 1996, pp.55-61.
53.    "Postcolonialism and Contemporary Artistic Creation", Hong Kong Cultural Studies Bulletin. Hong Kong: The Programme for Hong Kong Cultural Studies (CUHK), Issue No.4 (winter 1995) p.87-89.
54.    「雲想衣裳——香港六十年代的時裝與女性身份。」《號外》雜誌。香港:七山出版社。1995年7月。
55.    "The Idea and Limitation of 'Sageliness within and Kingliness without'" Ching Feng, Hong Kong: Christian Study Centre on Chinese Religion and Culture. vol.38, no. 2, June 1995, p.116-127.
56.    「儒家父權社會中的道德主體性」。鵝湖月刊。台北:鵝湖出版社。第19卷。第224期。1994年3月。頁29-33。
57.    「女性主義美學:另類的藝術批評?」人文學報。第2期。中文大學三十週年特刊。香港:中文大學出版社。1993年11月。頁88-91。
58.    「與一位反藝術本質主義者的對話」。法燈。香港:法注學會。第4卷,第3期。1992年6月。頁33-35。
59.    "Chinese Women and the Family in the Rapidly Changing Hong Kong Society - A Confucian Perspective," Inter-Religion, Hong Kong: Christian Study Centre on Chinese Religion and Culture, No. 21, Summer 1992, pp.20-27.

Performance in Reputable Venue

1.    "The Vagina Monologues," (The Cantonese Version, written by Eve Ensler, translated by Eva K W Man and Tracy Louie), presented by Springtime Stage Productions, City Hall Concert Hall, Central, Hong Kong (Jan 31, 2007 to Feb 4, 2007)

Research Grant Awards

General Research Grant (GRF)

9/2016- 8/2018         “Six Hong Kong Contemporary Dance Choreographers (1980-2010): Hong Kong Dance History, Aesthetics and Identity Issues” (GRF 12653416)
9/2014- 8/2016         “Six Hong Kong Visual Artists and Their Artistic ‘Adaptation’ in the Post- New Ink Movement Era in Hong Kong” (Score: 5 GRF 12405614)

Granted Researches (FRGs)

10/2015 - 9/2016       “Comparative Response to Arnold Berleant’s Environmental Aesthetics: The Case of Chinese Garden Ge Yuan” (FRG1/15-16/005)
12/2014 - 7/2015        A Review of Robert Solomon’s Ideation of Emotion and Mencius Notion of “Embodied Emotion” [FRG1/14-15/006]
12/2013 - 7/2014        Influence of Global Aesthetics and the Development of Moxie in Chinese Aesthetics (FRG1/13-14/003)
8/2012 – 7/2013         Comparative Aesthetics on Artistic Creativity: Xu Fuguan on Zhuangzi”s Notion of “You”(FRG2/12-13/019)
5/2011 – 5/2012          Discourse on Psychoanalysis and Gender in Recent China: A Case Study by Pan Guangdan (FRG1/10-11/056)
1/2011 – 12/2011         The Notion of Artistic Creativity in the New Ink Movement in Hong Kong in the 1960s (FRG2/10- 11/014)
11/2010 – 5/2011        Female Bodily Art in China: The Case of He Cheng Yao (FRG1/10-11/007)
2/2010 – 9/2010         Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting (FRG I/09-10/032)
6/2009 – 2/2010        A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong and Its Implications for Cultural Identities (FRG/08-09/038)
10/2008 – 3/2009      Beauty and the State: Female Bodies as State Apparatus and Recent Feminine Beauty Discourses in China (FRG/08-09/I-09)
4/2008 – 10/2008      The Relation of the “Self” and “Others” in the Confucian Tradition and Its Revelations to Global Feminism and Public Philosophy (FRG/07-08/I-33)
10/2007 – 3/2008      Discourses on Female Bodily Ideals and Their Early Revelations in The Book of Songs (FRG/07-08/I-02)
8/2007 – 7/2008        Constructing Hong Kong Art: Critique of Hong Kong Visual Art Criticism and Its Strategies in the 1990s (FRG/07-08/I-01) (Part II)
10/2006 – 9/2007      A Preliminary Theoretical Survey on the Cultural Policy Issue and Its Gender Implications in Hong Kong (FRG/06-07/I-10)
1/2006                          Constructing Hong Kong Art: Critique of Hong Kong Visual Art Criticism and Its Strategies in the 1990s (FRG/05-06/I-34)
9/2005                          Between Aesthetics and Politics: The Imaginary Space of the Hong Kong West Kowloon Cultural District and the Related Strategies for A Regional Identity (FRG/04-05/I-41, HKBU)
9/2002 - 10/2003       The Cultural and Social Implications of Bodily Representation in Hong Kong Cinema Since 1990s (Hong Kong Baptist University Faculty Research Grant, FRG)
2/2001 - 8/2002         The Revelation of "Modernity Aesthetics" to the Artistic Creation and Art Criticism in Hong Kong (Hong Kong Baptist University Faculty Research Grant, FRG)
4/1999 - 3/2000         Hong Kong Women Artists: The New Generation (Hong Kong Baptist University Faculty Research Grant, FRG & Hong Kong Arts Development Council's publication grant  for Visual Arts projects)
1/1994- 1/1995            A study of Zhu Guang Qian's Aesthetics and Literary Criticism (Hong Kong Baptist University Faculty Research Grant, FRG)

Public & Professional Service

Professional Consultancy for Government Bodies HKSAR

1/2017 – 4/2020         Member, Expert Advisory Panel, HK Culture Gallery of HK Heritage Museum
10/2014 – Present      Member, Art Museum Advisory Panel, Home Affairs Bureau, HKSAR
5/2014 – Present        Member, Public Libraries Advisory Committee, Home Affairs Bureau, HKSAR
11/2012 – Present       Member, Art Form Panel, Drama, LCSD, HKSAR
5/2014 - Present        Advisor, Art Criticism, HK Arts Development Council, HKSAR
2011 - 2017                   Expert Adviser, arts education and dance for our Arts Capacity Development Funding Scheme (ACDFS / 藝能發展資助計劃)
2/2012 - 2016              Expert Advisor, Stamp Design committee, Post Office, HKSAR
9/2011 - 9/2012          Expert Adviser, Arts Capacity Development Funding Scheme, HKSAR
2011 - 2014                   Consultant, Art Education, HK Museum of Art, LCSD, HKSAR
2010 – 2012                  Member, Art Form Panel, Dance and Multi-Arts, LCSD, HKSAR
5/2009 - 12/2014       Advisory Committee member, The Intangible Cultural Heritage, Home Affairs, HKSAR
1/2008 – 12/2013       Member, Hong Kong Arts Development Council (HKADC)
1/2008 – 12/2013       Vice-Chair, Visual Art Committee, HKADC, HKSAR
11/2006 – 10/2010     Member, Art Form Panel, Festivals, LCSD, HKSAR
5/2004 - 3/2012         Honorary Consultant, Museums (Hong Kong Art), Leisure and Cultural Services Department, HKSAR
8/2004 - 4/2009        Member & Co-Chair of the Ethics Committee, Council on Human Reproduction Technology (appointed by the Chief Executive, HKSAR)
12/2007 - 11/2009      Member, Certifying Body of the Hong Kong-Canada Film and Television Co-production. (nominated by the Secretary for Commerce, Industry & Technology, Government Secretariat, Hong Kong)
7/2007                         Consultant, Reading Hong Kong (Special project for the Book Festival 2007), Hong Kong Trade Development Council, Hong Kong
8/2003                         Panelist, Research Panel of “Appreciation Index Survey on Art Appreciation,” Hong Kong Arts Development Council
7/2002 - 12/2004       Consultant, Film & Video Development, Hong Kong Arts Development Council
7/2002 - 12/2004       Consultant, Visual Arts Development, Hong Kong Arts Development Council
7/2002- 12/2004        Consultant, Literary Arts Development, Hong Kong Arts Development Council

Council member & Professional Consultancy for Public Bodies

2016 - Present             Member, Advisory Committee, The Jockey Club Central Police Station Ltd.
2015 - Present             Member, Work Group of Contemporary Arts Management, Central Police Station, JCCAC
2013 - 2015                  Member, Selection Committee for the Heritage and Contemporary Art Operator of the Jockey Club Central Police Station Revitalization Project (HKCPS)
7/2009 - 2012             Member, Advisory Board, Cyberport
4/2007 - 3/2013         Member, Board of Trustees, The HK Jockey Club Music and Dance Fund, (appointed by the Secretary for Home Affairs, HKSAR)
6/2008 – 6/2011        Subject Specialist, Hong Kong Council for Accreditation of Academic & Vocational Qualifications
4/2007 – 3/2010        Member, Board of Trustees, HK Jockey Club Music and Dance Fund

Director & Member of Artistic Bodies

2/2015 - Present         Member, Consultants Committee, Academic Award of Art China (AAC), PRC
2001 - Present             Director, Creative Horizon (Culture) Limited
2007 - Present            Director & Vice Chair, City Contemporary Dance Company, Hong Kong
1/2002 - 2016              Director, Ia Space (Visual Art group sponsored by the HK Art Development Council)
7/2001 - 2007             Director, Hong Kong Dance Company Ltd.
12/2001 - 2014            Director, The Actors’ Family (Theater group sponsored by the HK Art Development Council)

Media Expert

2009 - Present            Column Writer, Wen Hui Pao
1997 - Present             Programme Host, "Talk East, Talk West," cultural programme, Radio Television Hong Kong (RTHK)
1994 - Present             Column Writer (on Philosophy), Hong Kong Economic Journal
2005 - 2007                 Column Writer, Singtao Weekly, Canada
2000 - 2003                 Column Writer, SingTao Daily
6/2000 - 9/2001        Column Writer (on Philosophy), Hong Kong Economic Times
1/2000 - 6/2000        Column Writer, edaily electronic magazine
2000                             Programme Host, “General Education Plaza”, RTHK
1994 - 2008                 Column Writer, Ming Pao Daily
2004                             Subject Expert, Member of Viewing Panel (Youth and Music Channel), Cable TV (HK)
1993 - 1995                  Member of Audience Consultancy Panel (Education and Cultural Programs), RTHK

Adjudicator

2014/15                         Chair, Selection Committee, Sir Edward Youde Memorial Fellowship for Disabled Students
2011 -                             Adjudicator, HK Film Awards, HK Film Awards Association.
2007 & 2011                  Adjudicator, HK Theatre Design Exhibition, HK Association of Theatre Technicians & Scenographers & The HK Centre of OISTAT
7/2005                          Adjudicator, Hong Kong Art Biennial, 2005
2/2003                          Adjudicator, Essay Competition on Modern Women, Women’s Commission HK
2/2002                          Adjudicator, Essay Competition on the notion of Public Service, KCR
2/2001                          Adjudicator, High Order Thinking Speech Contest 2001 - Heat, HKBU
1/2001                          Adjudicator, Student Essays Competition, Student Affairs Office, HKBU
10/2000                       Member, Panel of Judges, Outstanding Book Report Award, Home Affairs Bureau, Leisure & Cultural Services Department & Education Department, 2000.

1998                              Adjudicator, Drama session, the 4th Hong Kong Independent Short Film & Video Awards organized by the Provisional Urban Council (HK) and the HK Arts Centre

Academic Service

International Academic Societies

2016 –                           Delegate-at-large (elected), international Association for Aesthetics (IAA)
2016 –                           Trustee (elected), American Society for Aesthetics (ASA)
2012 - 2014                   Delegate-at-large (elected), international Association for Aesthetics (IAA)

Editorial/Advisory Board of Referee Journals

2015 - Present             Member, Editorial Board, Journal of Somaesthetics, published by Netherland: Rodopi and Brill
2003 - Present            Member, International Advisory Committee, Contemporary Aesthetics (Chief editor: Arnold Berleant, USA)
2014                              Reviewer, Asian Women, A referee journal indexed at SSCI, published by Research Institute of Asian Women at Sookmyung Women's University, South Korea.
2010                              Reviewer, The International Journal of the Humanities, Common Ground Publishing IIL, USA.
2003 -                           學術編委。《中國女性主義》學刊,廣西師範大學出版社。
2003 -                           Member, Editorial Committee, LEWI Working Paper Series, HKBU
2002 - 2016                  Member, Editorial Committee, Sino-Humanitas, HKBU