人文学讲座教授
总监

evaman@hkbu.edu.hk
34118128
教育: 
Ph.D. (Chinese Studies, The Chinese University of Hong Kong)

专业范畴: 
Comparative Aesthetics / Neo-Confucian Philosophy / Feminist Aesthetics and Philosophy / Gender Studies / Cultural Studies

主要成就: 
2016

Bodies in China: Philosophy, Aesthetics, Gender and Politics, NYC: State University of New York Press (SUNY) and Hong Kong: Chinese University Press, 255 pages. November, 2016.

“Female Bodies in China: Literati Fantasies, Iron Girls and Olympics Hoopla”, Sonia Sikka, Kathleen Higgins & Shakti Maira ed. Artistic Visions and the Promise of Beauty: Cross-Cultural Perspectives, Springer, September 2016.
2015 Issues of Contemporary Art and Aesthetics in the Chinese Context. Heidelburg (Germany): Springer Berlin Heidelberg, Sept, 2015. (ISBN :978-3-662-46509-7, 120 pages.
【独与天地精神往来—当代中国美学新视域】。香港:中华书局。2015年4月。共页201。
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Academic Preparation

1987- 1990              Ph.D. in Chinese Studies, The Chinese University of Hong Kong
1984- 1987              M. Phil. in Philosophy, The Chinese University of Hong Kong
1975- 1979              B.A.(Hons), The Chinese University of Hong Kong    (major: Philosophy, minor: Psychology)

Employment History

2017- Present         Director, Academy of Film, HKBU (Acting)
2014- Present         Executive Associate Dean, Graduate School, Hong Kong Baptist University (HKBU)
2011- 2012               Director, Academy of Visual Arts, HKBU (Acting)
2013- Current         Professor, Department of Humanities and Creative Writing, HKBU
2005- 2012              Professor, Department of Religion & Philosophy, HKBU
1997- 2005              Associate Professor, Department of Religion & Philosophy, HKBU
1991- 1997               Assistant Professor, Department of Religion & Philosophy, HKBU
1984- 1989              Teaching Assistant, Philosophy Department, Chinese University of HK

Professional Qualifications / Membership

2016- 2019              Trustee (elected), American Society for Aesthetics (ASA)
2014- Present         Member, Society for Comparative Asian Philosophy (SCAP)
1997- Present         Member, Chinese Association for Aesthetics (CAA)
1995- Present         Member, International Association for Aesthetics (IAA)
2007- 2010              Delegates-at-Large, International Association for Aesthetics (IAA)
1992- Present         Member, The American Society for Aesthetics (ASA)
1998- 2000             Vice-president, Hong Kong Philosophy Society
2000                        Member, International Association for Art Critics (IAAC)
1985                         Founding and executive committee member, Hong Kong Philosophy Society

Honors, Awards and Scholarships

2016                         Faculty Award for Outstanding Performance in Scholarly Work, HKBU
2015                         Fellow, Hong Kong Academy of Humanities, UGC, HK
2009- 2010             AMUW Woman Chair Professor, Marquette University, USA
2004                         Life Fellow, Clare Hall College, University of Cambridge, UK
2003- 2004             Visiting Fellow, Clare Hall College, University of Cambridge, UK
2003- 2004             Visiting Scholar, Faculty of Philosophy, University of Cambridge, UK
2003- 2004             Fulbright Scholarship, (U.S. & Hong Kong Fulbright Program), Centre for Chinese Studies, University of Berkeley, CA., USA
2002                         President’s Award for Outstanding Performance in Scholarly Work, HKBU
1996- 1997              Visiting Scholar, School of Theology, Boston University, Boston, MA., USA
1996- 1997              Visiting Scholar, Yenching Institute, Harvard University, Cambridge, MA., USA

Professional & Administration Experience

2014-                       Executive Associate Dean, Graduate School, HKBU
2013- 2014              Head, Department of Humanities and Creative Writing, HKBU
2011- 2012               Director of Visual Art Academy, HKBU (Acting)
2009- 2010             Co-ordinator, B.A. in Liberal and Cultural Studies, HKBU
2009                        AMUV Woman Chair, Marquette University, USA
1997- 2008             Head of Humanities Programme, Hong Kong Baptist University
2004-                       Professor, Department of Religion & Philosophy, HKBU
1997- 2004              Associate Professor, Department of Religion & Philosophy, HKBU
1991- 1997               Assistant Professor, Department of Religion & Philosophy, HKBU
1984- 1989              Teaching Assistant, Philosophy Department, Chinese University of Hong Kong
1982- 1984              Program Producer, Cultural Program Unit, Radio Television Hong Kong
1982- 1982              Assistant Cultural Manager, Cultural Presentations, USD, Hong Kong Government
1979- 1982              Housing Assistant, Hong Kong Housing Authority, Hong Kong Government
1977- 1979              Program Host, Breakthrough Hours, Commercial Radio Hong Kong

Teaching Experiences

Courses Offered & Taught

2014                         Graduate Seminar: Gender and Philosophy
2011                          Love and Culture (G.E. Course for HKBU)
2009                         Body Cultures
2007                         Current Issues in Visual Art and Cultural Policy
2007                         Feminist Philosophy (For MA in Philosophy, CUHK)
2004                         Body Theories, Body Cultures and the Hong Kong Bodies (for Humanities year 3 major & non- major electives)
1997-                         Introduction to the study of Humanities (for Humanities year 1 major)
                                  Gender Studies (for Humanities year 2 major & non-major electives)
                                  Artistic Creativity and Aesthetic Awareness I (for Humanities year 3 major & non-major electives)
                                  Artistic Creativity and Aesthetic Awareness II (for Humanities year 3 major & non-major electives)
1991- 1997                The Human Self-Discovery (for Humanities year 1 major & non-major electives)
                                  Chinese and Western Modes of Thought
                                  (for Humanities year 2 major, Translation year 1 major & non-major electives)
                                  The Study of Culture (for Humanities year 2 major, Translation year 2 major & non-major electives)
                                  Human Creativity and Aesthetic Awareness (for Humanities year 3 major & non-major electives)
                                  Philosophers on Life (Religion & Philosophy elective subject)
                                  Introduction to Philosophy (Religion & Philosophy elective subject)
                                  Great Thinkers on Life (Religion & Philosophy elective subject)
2.    【女性主义哲学与身体美学】。广西:广西师范大学出版社。2016年6月,共页216。 
3.    Issues of Contemporary Art and Aesthetics in the Chinese Context. Heidelburg (Germany): Springer Berlin Heidelberg, Sept, 2015. (ISBN :978-3-662-46509-7, 120 pages.

Scholarly Work / Publications

Academic Books

1.    Bodies in China: Philosophy, Aesthetics, Gender and Politics, NYC: State University of New York Press (SUNY) and Hong Kong: Chinese University Press, 255 pages. November, 2016. 
4.    【独与天地精神往来—当代中国美学新视域】。香港:中华书局。2015年4月。共页201。
5.    【美学与性别冲突:女性主义审美革命的中国境遇】。北京:北京大学出版社。2005年1月, 共页216。
6.    【自主的族群:十位香港新一代女性视觉艺术家】。香港艺术发展局赞助。香港:中华书局。2000年3月。共页184。
7.    【性别与创造:女性主义美学及其他】。香港:香港人文科学出版社。1996年10月。共页207。
8.    【艺术自然与人文—中国美学的传统与现代】。台北:允晨出版社。1993年9月。共页409。

Academic Edited Books

1.    【与香港艺术对话】。黎明海、文洁华编着。香港:三联书店。2015年1月。共478页。
2.    【香港嘅广东文化】。文洁华编。香港:商务印书馆。2014年11月。共页262。
3.    【粤语的政治:香港语言文化的异质与多元】。文洁华编。香港:中文大学出版社。 2014年8月。共页244。
4.    Yiu-Wai Chu & Eva Kit-Wah Man (ed.), Contemporary Asian Modernities: Transnationality, Interculturality and Hybridity (Series of Worlds of East Asia; Band 16), Bern: Peter Lang Ag, Jan, 2010, 315 pages.
5.    【杂唛时代:文化身份、性别、日常生活实践与香港电影1970】。文洁华、罗贵祥编。香港:牛津大学出版社。 2005年11月。共页220。
6.    【朱光潜与当代中国美学】。(编着)。【香港浸会大学中文学术丛书之二】。香港:中华书局。1998年11月。共页276。
7.    【哲学浅说新编】。劳思光着。(编选)。香港:香港中文大学出版社。1998年10月。共页135。
8.    【呕吐:港台女性主义文学选】。 (编选) 。沈阳:春风文艺出版社。1995年7月。共页380。

Creative Work in Books

1.    【是时候读一点哲学——处混乱、得聪明】。香港: 亮光文化。2014年11月,共页199。
2.    【艺术没有终结】。香港:次文化堂出版社。2013年7月,共页203。
3.    【蝴蝶的血】。香港:次文化堂出版社。2012年7月,共页201。
4.    【西方哲学故事——另一种述说方式】。香港:次文化堂出版社。2011年7月,共页302。
5.    【裸睇——中西裸体艺术名作赏析】。香港:次文化堂出版社。2010年7月,共页218。
6.    【唯心旅程】。香港:Handheld Culture 出版社。2010年7月。(电子书)
7.    (艺术是唯一的理由)。香港:次文化堂出版社。2008年7月。共页137。 (获选香港电台 「2008 年度香港书奖」决选书。)
8.    (身语心语)。香港:次文化堂出版社。2003年11月。共页192。
9.    (爱与痛的流程)。香港:次文化堂出版社。2003年11月。共页192。
10.    (未止的心灵)。 香港:基督教卓越使团。2000年7月。共页178。
11.    (香港老照片)。合著者:陶杰、丘世文、刘天赐。香港:天地图书公司。1999年1月。共页215。
12.    (甲虫西西弗斯)。香港:壹出版。1998年11月。共页228。
13.    (阅读生活)。香港:现代教育研究社。1998年6月。共页262。
14.    (途上的彩虹)。香港:零与壹出版社。1998年3月。共页148。
15.    (谁说女人都是一样)。 香港:突破出版社。1997年6月。共页184。
16.    (自己的天空)。香港:零与壹出版社。1996年4月。共页183。
17.    (谁最浪漫? )。 (创作散文集)。台北:允晨出版社。1993年9月。共页187。
18.    (意念与真情)。香港:突破出版社。1990年。共页127。

Academic Book Chapters

1.    “Female Bodies in China: Literati Fantasies, Iron Girls and Olympics Hoopla”, Sonia Sikka, Kathleen Higgins & Shakti Maira ed. Artistic Visions and the Promise of Beauty: Cross-Cultural Perspectives, Springer, September 2016 (Forthcoming with contract).
2.    “Chinese Bodies in Philosophy, Aesthetics, and Politics: Methodologies and Practices” in Tan Sor-woon ed., The Bloomsbury Research Handbook of Chinese Philosophy Methodologies. London, UK: Bloomsbury Publishing Plc., July 2016. 257-270.
3.    Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting, in Peng Feng ed., Aesthetics and Contemporary Art, International Yearbook Of Aesthetics (2012), Volume 16, August, 2016, pp. 128-146 (Esteeemed publication to be selected into the Yearbook out of 150 papers.)
4.    “从西方女性主义批评现代艺术的处境再思孔子乐教的智慧” ,中国学者新世纪学术贡献 (前沿理论选集(下)) 陈亚平、刘悦笛、宋仕勇主编。宁夏人民出版社。 2015年10月。 页 617-633。
5.    “Influence of Global Aesthetics on Chinese Aesthetics: The Adaptation of Moxie and The Case of Dafun Cun,” Perspectives on Contemporary Aesthetics, Arnold Berleant and Yuriko Saito ed. Providence, Rhode Island School of Design, December 2015, 129-147. (Reprint, Esteem Measure)
6.     “从比较美学再思徐复观先生的艺术创造论” ,全球与本土之间的哲学探索。 郑宗义、林月惠编。台北:学生书局。2014年6月。页157-170。
7.    “Beauty and the State: Female Bodies as State Apparatus and Recent Beauty Discourses in China,” in Beauty Unlimited, edited by Peg Brand, Bloomington & Indianapolis, Indiana University Press, January, 2013, 368- 384.
8.    "Female Bodily Aesthetics and Their Early Revelations in the Book of Songs", Ho, Clara (ed). Overt and Covert Treasures: Essays on the Sources for Chinese Women's History, Hong Kong: Chinese University of Hong Kong, July 2012, 113-130.
9.    "Expression Extreme and History Trauma in Female Bodily Art in China: The Case of He Cheng Yao", in Wiseman, Mary Bittner and Liu, Yuedi, eds. Strategic Strategies in Contemporary Chinese Art.. Leiden: Brill Academic Publishing, March 2011, 171-191.
10.    "Experimental Painting and Painting Theories in Colonial Hong Kong (1940-1980): Reflections on Cultural Identity" in Wiseman, Mary Bittner and Liu, Yuedi, eds. Strategic Strategies in Contemporary Chinese Art. Leiden: Brill Academic Publishing, March 2011, 333-353.
11.    “The Relation of ‘Self’ and “Others” in the Confucian Traditions and Its Implications to Global Feminisms and Public Philosophies,” in Yiu-Wai Chu & Eva Kit-Wah Man (ed.), Contemporary Asian Modernities: Transnationality, Interculturality and Hybridity (Series of Worlds of East Asia; Band 16), Bern: Peter Lang Ag, Jan, 2010, 231-244.
12.    “A Historical Review and Reflection on the Confucian “Great Learning” and its Contemporary Implications for Higher Education,” in R. Mak (ed)., Transmitting The Ideal of Enlightenment: Chinese Universities since the Late Nineteenth Century, Maryland: University Press of America Inc., December 2009, 135-148.
13.    “中国传统儒家知识论之当代意涵”,刘国英、张灿辉编, 求索之迹:香港中文大学哲学系六十周年系庆论文集 ,香港:香港中文大学,2009年7月。139 - 155。
14.    "Some Reflections on Multiculturalism and Asian Feminism and the Case of Cultural Policy Addresses and Women Rights in Hong Kong," in Tze-wan Kwan (ed.) Responsibility and Commitment, Waldkirch, Germany: Edition Gorz, July 2008, 265-276.
15.    “The Origin of Aesthetic Experience as the Key to Comparative Aesthetics: The Case of Confucian Aesthetics and the Recent Suggestion of Its Reference to Western Feminist Aesthetics,” in Wilkinson, R. (ed) New Essays in Comparative Aesthetics, Newcastle (U.K.) Cambridge Scholars Publishing, Oct., 2007, pp. 109-118.
16.    文洁华,“女子狄娜——七十年代香港情色电影的个案研究”, 文洁华、罗贵祥编。 【杂唛时代:文化身份、性别、日常生活实践与香港电影1970】。 香港:牛津大学出版社】。 2005年11月,页 90-104。
17.    「我们的都巿,我们的英雄」。二十一世纪(月刊)。香港:香港中文大学中国文化研究所。2003年6月号。第77期,页95-99。
18.     “Female Bodily Aesthetics, Politics, and Feminine Ideals of Beauty in China,” in Peg Zeglin Brand (ed.) Beauty Matters, Bloomington: Indiana University Press, April, 2000, pp. 169-196.
19.    「当代艺术家的社会角色:文化先知‧社会英雄抑或巫师?」。文思慧‧梁美仪合编:《专业交叉点---专业伦理的理念与实行》。香港:青文书店。2000年1月。页144-174。
20.    「全球化下的身分认同与迷失」。邹崇铭主编:《千禧年‧全球化‧新思维》。香港:明报出版社。2000年1月。页128-132。
21.    「朱光潜美感教育论与当代中国美学研究」。文洁华编着。《朱光潜与当代中国美学》。香港:中华书局。1998年11月。页 193-218。
22.    「性别与舞蹈」。陶宝华编。《价值与社会》。北京:中国社会科学院出版社。1997年8月。页 337-351。
23.    「香港绘画美学与文化身份的反思(1940 – 1980)」。文思慧编。《思行交汇点 – 哲学在香港》。香港:青文书店。1997年6月。页 75-102。
24.    「六十年香港的电影与女性身份」。田迈修、颜淑芬编。《香港六十年代:身份、文化认同与设计》。香港:香港艺术中心。1995年3月。页 75-77。
25.    「儒家与中国妇女」。邹逸兰等着。《寻 – 女性神学的台湾经验》。台北:光启出版社。1992年11月。页42-44。
26.    "Lili Marleen," Remembering Fassbinder: A Retrospective [ Hong Kong: Goethe Institute], November 1992, pp.42-44. (in English and Chinese)

Academic Book Reviews

1.    书评「刘千美:差异与实践-当代艺术哲学研究」。二十一世纪 (月刊)。香港:香港中文大学中国文化研究所。2001年8月号。第66期,页152-155。
2.    “On Jiang Xiaoyuan’s Xing Zhangli xia de Zhongguo ren ( Chinese people under sexual tension, Shanghai: Shanghai renmin chuban she, 1995. 332pp. ), Nan Nu, Leiden: Brill, Vol.1, Issue 2, 1999. pp. 305-7.
3.    书评「刘小枫:沉重的肉身」。明报月刊。香港:明报出版社。1999年4月。页100-102。

Academic Journal Articles

1.    “A Cross-Cultural Reflection on Shusterman’s Suggestion of the “Transactional” Body”, Frontiers of Philosophy in China, 中国哲学前沿, Brill & Front. Philos. China. 2015, 10 (2): 181-191. DOI: 10.3868/s030-004-015-0014-8. http://journal.hep.com.cn/fpc/EN/1673-3436/current.shtml
2.    “Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting”, Journal of Somaesthetics, Denmark: Aalborg University Press, Issue Vol.1 No. 1 (2015), February, 2015. http://journals.aau.dk/index.php/JOS/article/view/1074 (The Journal of Somaesthetics is published in association with the Research Program in Body, Art & Technology at Aalborg University (Denmark) and the Center for Body, Mind, and Culture at Florida Atlantic University. It is published by Aalborg University Press.)
3.    「西方女性主义美学:发展与批评」, 中国国家美术。北京:《中国国家美术》杂志。 总期第18期,2014年2月, 页102 -107。
4.    “「充余之美」- 唐君毅先生论中国艺术精神”,人文中国学报,香港浸会大学《人文中国学报》编辑委员会编,上海:上海古藉出版社。 2013年11月,页433-456。
5.    “Influence of Global Aesthetics on Chinese Aesthetics: The Case of Dafun Cun,” Contemporary Aesthetics, http://www.contempaesthetics.org/newvolume/pages/article.php?articleID=674, vol.11 (2013), November 2013.
6.    “What is an author? A comparative Study of Soren Kierkegaard and Liu Xie on the Meaning of Writing,” Journal of Chinese Philosophy, Maiden, MA: Wiley, volume 40, Issue 1, (March 2013), 123–142.
7.    “Sex and Emotion: Change of the Related Discourses among Some Chinese Female Sex Workers and their Representations in the Cosmopolitan Context,” The International Journal of the Humanities, Champaign, Illinois, USA: Common Ground Publishing LLC. Vol. 9, Issue 8, (April, 2012), 217-229.
8.    “Contemporary Philosophical Aesthetics in China: The Relation between Subject and Object,” Philosophy Compass. Hoboken, NJ: Wiley-Blackwell, vol. 7, 2012 (March, 2012), 164-173. (Philosophy Compass is top Indexed /abstracted in British Humanities Index (CSA/CIG))
9.    “腕不虚画非是:笔画哲学和中国新水墨绘画的存与变”。《艺术与科学》。北京:清华大学出版社。2011年5月, 卷十一,页132-137。
10.    “A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong and Its Implications for Cultural Identities,” Visual Anthropology, (ed) by Paul Hockings, Routledge: Taylor & Francis, January, 2011, 90-105.
11.    "Some Reflections on Confucian Aesthetics and Its Feminist Modalities,” The International Journal of the Humanities, Champaign, Ill., USA: Common Ground Publishing LLC, Vol. 8, Issue 1, June 2010, 1-12.
12.    "芭特勒对萨特身体观的阅读探析”,现代哲学,广东:现代哲学杂志社。2009年第1期(第102期), 2009年1月, 页85-91。(CSSCI)
13.    《关于香港文化施政报告和妇女权利的思考》,中国女性主义, (桂林: 广西师范大学出版社)。第10期, 2008年6月, 页3-13。
14.    “美感经验的完结? 当代英美美学的基源问题与儒学的诠释”, 清华大学学报(哲学社会科学版)。北京:清华大学出版社。2007年第6期第22卷 。2008年1月。页89-93。
15.    “对认识论中女性主义视角的进一步反思”,中山大学学报 (社会科学版), 中国广州:中山大学学报编辑部,第48卷第1期, 2008 年1月,页112-119。
16.    “A Contemporary Reflection of a Confucian Theory of the Body: ‘Natural’ or Further Construction?” The Proceedings of The Twenty-First World Congress of Philosophy (Vol. 7, Philosophy of Culture(s)), Ankara: Philosophical Society of Turkey, Dec., 2007, 173- 177.
17.    “Rethinking Art and Values: A Comparative Revelation of the Origin of Aesthetic Experience (from the Neo-Confucian Perspectives),” Filozofski vestnik, Ljubljana: Institute of Philosophy in the Centre for Scientific Research of the Slovenian Academy of Sciences & Arts. Vol.XXVIII, No. 2/2007, June 2007, pp. 117- 131.
18.    "关于儒家妇女身体观的一些思考—— 论哲学与性别意涵,”儒学、文化与宗教:刘述先先生七秩寿庆论文集。李明辉、叶海烟、郑宗义 合编。台北:台湾学生书局。2006年10月。页385- 403。
19.    “Reclaiming the Body: Francis Bacon’s Fugitive Bodies and Confucian Aesthetics on Bodily Expression,” Aesthetics and Culture: East and West, eds. Gao Jian Ping & Wang Keping, China: Anhui Educational Publishing, June, 2006, pp. 135-162.
20.    "中国传统儒家知识论之当代意蕴” 清华大学学报(哲学社会科学版)。北京:清华大学出版社。2006年第1期第21卷 (83期)。2006年3月。页100-106。
21.    "奇女子狄娜:20世纪70年代香港情色电影个案研究”,中国女性主义 4, 荒林主编。桂林:广西师范大学出版社。2005夏,页193-207。
22.    “A Confucian Reflection on the Future Prospects of the Humanities Education,” International Journal of the Humanities, Vol. 1, 2003, http://www.ijh.cgpublisher.com/product/pub.25/prod. 5, April, 2005.
23.    《中国传统儒家知识论之当代意涵》,文化自觉与社会发展——二十一世纪中华文化世界论坛论文集。二十一世纪中华文化世界论坛筹备委员会主编。香港:商务印书馆(香港)有限公司。2005年3月。页431-440。
24.    《牟宗三先生的审美经验论与西方女性主义美学新发展》,中国女性主义 , (桂林:广西师范大学出版社)。2005年3月。页59-69。
25.    “Reclaiming the Body: Francis Bacon’s Fugitive Bodies and Confucian Aesthetics on Bodily Expression,” Contemporary Aesthetics (http://www.contempaesthetics.org), 2 (2004), July, 2004. Australia: Common Ground Publishing Pty Ltd, pp. 621-631.
26.    “身体的回归:弗朗西斯‧培根隐晦的身体与儒家身体美学” ,民族艺术研究 。云南:云南省民族艺术研究所,云南大学人文学院, 云南大学艺术学院 & 云南大学出版社。2004年5月。第3期,页23 -29。(CSSCI)
27.    “潘光旦论冯小青之影恋性心理”,《人文中国学报》, 香港浸会大学《人文中国学报》编辑委员会编,(上海:上海古藉出版社),第10期,2004年5月,页83-103。
28.    “The Trinity 'Hong Kong- China- The World’: The Antagonism of Cultural Identities as A Form of Hegemony in the Postcolonial Hong Kong Art (from the 90s of the previous century onward),” BOREC (REVIJA ZA ZGODOVINO, ANTROPOLOGIJO IN KNJIZEVNOST), (The Fighter, The Journal for History, Anthropology and Literature," Ljubljana, Slovenia: the Society for History, Anthropology and Literature & the Ministry of Culture of Slovenia. LV, 2003, st.608-611, December, 2003, pp.219-237.
29.    “劳思光先生早期思想中理想的人文精神——从「穷智见德」到「德智贯融」”。刘国英、张灿辉合编。《无涯理境—劳思光先生的学问与思想》香港:香港中文大学。2003年11月。页39-56。
30.    "Some Reflections on 'Feminist Aesthetics': Private /Public? Personal/ Political? Gender/ Post-Colonial?--- The Case of Young Women Art in Post-Colonial Hong Kong," The Great Book of Aesthetics, Conference Proceedings of the 15th International Congress of Aesthetics, edited and published by Ken-ichi Sasaki and Tanehisa Otabe, The Organizing Committee of the 15th International Congress of Aesthetics c/o Institute of Aesthetics and Philosophy of Art, Faculty of Letters, The University of Tokyo, Tokyo, Japan. October, 2003.
31.    “'Feminist Aesthetics' in Post-Colonial Hong Kong: Private /Public? Personal/ Political? Gender/ Post-Colonial?, " LIKOVNE BESEDE/ ART WORDS, Slovenia’s Ljubljana: Union of the Slovene Fine Artists Associations, September 2003, pp.49-57.
32.    “初探西方哲学中客体化观念之性别意涵”。黎志添、刘国英、张灿辉合编。在求真的道路上。台北:中华书局。2003年8月。页241-261。
33.    “从劳思光先生对文化哲学的论析反思女性主义思想的一些基本问题”。劳思光思想与中国哲学世界化学术研讨会论文集。台湾华梵大学哲学系编。台北:行政院文化建设委员会出版。2002年12月。pp.169-186。
34.    "A Critical Reflection on a Suggested Return to Aesthetic Experience in Socialist China", Journal of Aesthetic Education, Champaign: University of Illinois Press, Vol. 35, No.4, Winter 2002, pp.47-55.
35.    "初探生态女性主义与儒家哲学中之自然观",赖品超、李景雄编:《儒耶对话新里程》(香港中文大学崇基学院宗教与中国社会研究中心。2001年10月)。pp.104-123。
36.    "The Notion of "Orientalism" in the Modernization Movement of Chinese Painting of Hong Kong Artists in 1960s: The Case of Hon Chi-fun", Filozofski vestnik, Ljubljana: Institute of Philosophy in the Centre for Scientific Research of the Slovenian Academy of Sciences & Arts. Vol.XXII, No. 2/2001, August, 2001, pp.161-178.
37.    《从西方现代艺术处境再思孔子乐教的功能》清华大学学报(哲学社会科学版)。北京:清华大学出版社。2001年第1期第16卷 (4/2001)。页81-88。(CSSCI)
38.     "The View of Nature in Eco-feminism and Chinese Philosophy”, International Journal for Field-Being, (Electronic Journal), July , 2000, Inaugural Issue. http://apps.fairfield.edu, IJFB, vol.1 (1), part 1, Article No. 10, 2001. (Citation URL: http://www.iifb.org/ijfb/EKMan-1.htm)
39.    "Contemporary Feminist Body Theories and Mencius’s Ideas of Body and Mind”, Journal of Chinese Philosophy, Oxford (U.K.): Blackwell, June, 2000. Vol.27, Issue 2, pp.155-169.
40.    「从朱光潜的主客观统——说到中国现代美学体系」。叶朗主编:《美学的双峰:朱光潜‧宗白华与中国现代美学》。合肥:安徽教育出版社。1999年7月。页25-42。
41.    "Investigation into the Religious Aspects of Confucianism", The Lutheran World Federation Ninth Assembly Report, Switzerland: The Lutheran World Federation Office for Communication Services, March 1998, pp.135-138.
42.    「从对康德『判断力批判』之批判到道家「智的直觉」——牟宗三论审美经验的起源。」。江日新主编。《牟宗三哲学与唐君毅哲学论》。台北:文津出版社。1997年12月。页225-242。
43.    「西方女性主义美学:发展与批评」。北京大学学报。北京:北京大学出版社等34卷。第6期,总184期,1997年11月。页137-144。(CSSCI)
44.    "Fashion and Women Identities in the Sixties in Hong Kong", Conference Proceedings of the XIIIth International Congress of Aesthetics (1995) (Proceedings III: Practical Aesthetics in Practice and Theory). Lahti: University of Helsinki, Lahti Research and Training Centre, November, 1997, pp.161-166.
45.    「论中国大陆 <现代美学体系>中的 『审美感兴观』」。人文中国学报。香港:香港浸会大学。第4期。1997年7月。页163-186。
46.    「艺术史研究的当代挑战与香港艺术史研究」。价值与社会(1994)研讨会论文集。香港:岭南学院。1997年5月。页171-178。
47.    "Chinese Philosophy and the suggestion of a New Aesthetics", Journal of Chinese Philosophy, Hawaii: Dialogue Publishing Co., No. 23 (1996) Spring, 1997, pp.453-466.
48.    「现代舞及其社会涵义」。价值与社会(1994)研讨会论文集。香港:岭南学院。1997年5月。页 74-82。
49.    "Understanding the Social Status of Women in China", Word & World: Theology for Christian Ministry, Minnesota: Luther Seminary. No.2, Vol.XVII Spring, 1997, pp.168-174.
50.    "Experimental Painting and Painting Theories in Colonial Hong Kong (1940-1980): Reflection on Cultural Identity", Filozofski vestnik, Ljubljana: Institute of Philosophy in the Centre for Scientific Research of the Slovenian Academy of Sciences & Arts. Vol.XVII, No. 2/1996, February, 1997 pp.83-105.
51.    「艺术史的现代挑战——从人文主义现点到多元诠释」。文学史。北京:北京大学出版社。1996年6月。页266-279。.
52.    "Feminist Aesthetics in Body: Hong Kong Chinese Women, Fashion & Identity in the Sixties", Anthropos, Ljubljana: Slovensko filozofsko drustvo, Vol. 28, No. 3-4, December, 1996, pp.55-61.
53.    "Postcolonialism and Contemporary Artistic Creation", Hong Kong Cultural Studies Bulletin. Hong Kong: The Programme for Hong Kong Cultural Studies (CUHK), Issue No.4 (winter 1995) p.87-89.
54.    「云想衣裳——香港六十年代的时装与女性身份。」《号外》杂志。香港:七山出版社。1995年7月。
55.    "The Idea and Limitation of 'Sageliness within and Kingliness without'" Ching Feng, Hong Kong: Christian Study Centre on Chinese Religion and Culture. vol.38, no. 2, June 1995, p.116-127.
56.    「儒家父权社会中的道德主体性」。鹅湖月刊。台北:鹅湖出版社。第19卷。第224期。1994年3月。页29-33。
57.    「女性主义美学:另类的艺术批评?」人文学报。第2期。中文大学三十周年特刊。香港:中文大学出版社。1993年11月。页88-91。
58.    「与一位反艺术本质主义者的对话」。法灯。香港:法注学会。第4卷,第3期。1992年6月。页33-35。
59.    "Chinese Women and the Family in the Rapidly Changing Hong Kong Society - A Confucian Perspective," Inter-Religion, Hong Kong: Christian Study Centre on Chinese Religion and Culture, No. 21, Summer 1992, pp.20-27.

Performance in Reputable Venue

1.    "The Vagina Monologues," (The Cantonese Version, written by Eve Ensler, translated by Eva K W Man and Tracy Louie), presented by Springtime Stage Productions, City Hall Concert Hall, Central, Hong Kong (Jan 31, 2007 to Feb 4, 2007)

Research Grant Awards

General Research Grant (GRF)

9/2016- 8/2018         “Six Hong Kong Contemporary Dance Choreographers (1980-2010): Hong Kong Dance History, Aesthetics and Identity Issues” (GRF 12653416)
9/2014- 8/2016         “Six Hong Kong Visual Artists and Their Artistic ‘Adaptation’ in the Post- New Ink Movement Era in Hong Kong” (Score: 5 GRF 12405614)

Granted Researches (FRGs)

10/2015 - 9/2016       “Comparative Response to Arnold Berleant’s Environmental Aesthetics: The Case of Chinese Garden Ge Yuan” (FRG1/15-16/005)
12/2014 - 7/2015        A Review of Robert Solomon’s Ideation of Emotion and Mencius Notion of “Embodied Emotion” [FRG1/14-15/006]
12/2013 - 7/2014        Influence of Global Aesthetics and the Development of Moxie in Chinese Aesthetics (FRG1/13-14/003)
8/2012 – 7/2013         Comparative Aesthetics on Artistic Creativity: Xu Fuguan on Zhuangzi”s Notion of “You”(FRG2/12-13/019)
5/2011 – 5/2012          Discourse on Psychoanalysis and Gender in Recent China: A Case Study by Pan Guangdan (FRG1/10-11/056)
1/2011 – 12/2011         The Notion of Artistic Creativity in the New Ink Movement in Hong Kong in the 1960s (FRG2/10- 11/014)
11/2010 – 5/2011        Female Bodily Art in China: The Case of He Cheng Yao (FRG1/10-11/007)
2/2010 – 9/2010         Metaphysics, Corporeality and Visuality: A Developmental and Comparative Review of the Discourses on Chinese Ink Painting (FRG I/09-10/032)
6/2009 – 2/2010        A Museum of Hybridity: The History of the Display of Art in the Public Museum of Hong Kong and Its Implications for Cultural Identities (FRG/08-09/038)
10/2008 – 3/2009      Beauty and the State: Female Bodies as State Apparatus and Recent Feminine Beauty Discourses in China (FRG/08-09/I-09)
4/2008 – 10/2008      The Relation of the “Self” and “Others” in the Confucian Tradition and Its Revelations to Global Feminism and Public Philosophy (FRG/07-08/I-33)
10/2007 – 3/2008      Discourses on Female Bodily Ideals and Their Early Revelations in The Book of Songs (FRG/07-08/I-02)
8/2007 – 7/2008        Constructing Hong Kong Art: Critique of Hong Kong Visual Art Criticism and Its Strategies in the 1990s (FRG/07-08/I-01) (Part II)
10/2006 – 9/2007      A Preliminary Theoretical Survey on the Cultural Policy Issue and Its Gender Implications in Hong Kong (FRG/06-07/I-10)
1/2006                          Constructing Hong Kong Art: Critique of Hong Kong Visual Art Criticism and Its Strategies in the 1990s (FRG/05-06/I-34)
9/2005                          Between Aesthetics and Politics: The Imaginary Space of the Hong Kong West Kowloon Cultural District and the Related Strategies for A Regional Identity (FRG/04-05/I-41, HKBU)
9/2002 - 10/2003       The Cultural and Social Implications of Bodily Representation in Hong Kong Cinema Since 1990s (Hong Kong Baptist University Faculty Research Grant, FRG)
2/2001 - 8/2002         The Revelation of "Modernity Aesthetics" to the Artistic Creation and Art Criticism in Hong Kong (Hong Kong Baptist University Faculty Research Grant, FRG)
4/1999 - 3/2000         Hong Kong Women Artists: The New Generation (Hong Kong Baptist University Faculty Research Grant, FRG & Hong Kong Arts Development Council's publication grant  for Visual Arts projects)
1/1994- 1/1995            A study of Zhu Guang Qian's Aesthetics and Literary Criticism (Hong Kong Baptist University Faculty Research Grant, FRG)

Public & Professional Service

Professional Consultancy for Government Bodies HKSAR

1/2017 – 4/2020         Member, Expert Advisory Panel, HK Culture Gallery of HK Heritage Museum
10/2014 – Present      Member, Art Museum Advisory Panel, Home Affairs Bureau, HKSAR
5/2014 – Present        Member, Public Libraries Advisory Committee, Home Affairs Bureau, HKSAR
11/2012 – Present       Member, Art Form Panel, Drama, LCSD, HKSAR
5/2014 - Present        Advisor, Art Criticism, HK Arts Development Council, HKSAR
2011 - 2017                   Expert Adviser, arts education and dance for our Arts Capacity Development Funding Scheme (ACDFS / 艺能发展资助计划)
2/2012 - 2016              Expert Advisor, Stamp Design committee, Post Office, HKSAR
9/2011 - 9/2012          Expert Adviser, Arts Capacity Development Funding Scheme, HKSAR
2011 - 2014                   Consultant, Art Education, HK Museum of Art, LCSD, HKSAR
2010 – 2012                  Member, Art Form Panel, Dance and Multi-Arts, LCSD, HKSAR
5/2009 - 12/2014       Advisory Committee member, The Intangible Cultural Heritage, Home Affairs, HKSAR
1/2008 – 12/2013       Member, Hong Kong Arts Development Council (HKADC)
1/2008 – 12/2013       Vice-Chair, Visual Art Committee, HKADC, HKSAR
11/2006 – 10/2010     Member, Art Form Panel, Festivals, LCSD, HKSAR
5/2004 - 3/2012         Honorary Consultant, Museums (Hong Kong Art), Leisure and Cultural Services Department, HKSAR
8/2004 - 4/2009        Member & Co-Chair of the Ethics Committee, Council on Human Reproduction Technology (appointed by the Chief Executive, HKSAR)
12/2007 - 11/2009      Member, Certifying Body of the Hong Kong-Canada Film and Television Co-production. (nominated by the Secretary for Commerce, Industry & Technology, Government Secretariat, Hong Kong)
7/2007                         Consultant, Reading Hong Kong (Special project for the Book Festival 2007), Hong Kong Trade Development Council, Hong Kong
8/2003                         Panelist, Research Panel of “Appreciation Index Survey on Art Appreciation,” Hong Kong Arts Development Council
7/2002 - 12/2004       Consultant, Film & Video Development, Hong Kong Arts Development Council
7/2002 - 12/2004       Consultant, Visual Arts Development, Hong Kong Arts Development Council
7/2002- 12/2004        Consultant, Literary Arts Development, Hong Kong Arts Development Council

Council member & Professional Consultancy for Public Bodies

2016 - Present             Member, Advisory Committee, The Jockey Club Central Police Station Ltd.
2015 - Present             Member, Work Group of Contemporary Arts Management, Central Police Station, JCCAC
2013 - 2015                  Member, Selection Committee for the Heritage and Contemporary Art Operator of the Jockey Club Central Police Station Revitalization Project (HKCPS)
7/2009 - 2012             Member, Advisory Board, Cyberport
4/2007 - 3/2013         Member, Board of Trustees, The HK Jockey Club Music and Dance Fund, (appointed by the Secretary for Home Affairs, HKSAR)
6/2008 – 6/2011        Subject Specialist, Hong Kong Council for Accreditation of Academic & Vocational Qualifications
4/2007 – 3/2010        Member, Board of Trustees, HK Jockey Club Music and Dance Fund

Director & Member of Artistic Bodies

2/2015 - Present         Member, Consultants Committee, Academic Award of Art China (AAC), PRC
2001 - Present             Director, Creative Horizon (Culture) Limited
2007 - Present            Director & Vice Chair, City Contemporary Dance Company, Hong Kong
1/2002 - 2016              Director, Ia Space (Visual Art group sponsored by the HK Art Development Council)
7/2001 - 2007             Director, Hong Kong Dance Company Ltd.
12/2001 - 2014            Director, The Actors’ Family (Theater group sponsored by the HK Art Development Council)

Media Expert

2009 - Present            Column Writer, Wen Hui Pao
1997 - Present             Programme Host, "Talk East, Talk West," cultural programme, Radio Television Hong Kong (RTHK)
1994 - Present             Column Writer (on Philosophy), Hong Kong Economic Journal
2005 - 2007                 Column Writer, Singtao Weekly, Canada
2000 - 2003                 Column Writer, SingTao Daily
6/2000 - 9/2001        Column Writer (on Philosophy), Hong Kong Economic Times
1/2000 - 6/2000        Column Writer, edaily electronic magazine
2000                             Programme Host, “General Education Plaza”, RTHK
1994 - 2008                 Column Writer, Ming Pao Daily
2004                             Subject Expert, Member of Viewing Panel (Youth and Music Channel), Cable TV (HK)
1993 - 1995                  Member of Audience Consultancy Panel (Education and Cultural Programs), RTHK

Adjudicator

2014/15                         Chair, Selection Committee, Sir Edward Youde Memorial Fellowship for Disabled Students
2011 -                             Adjudicator, HK Film Awards, HK Film Awards Association.
2007 & 2011                  Adjudicator, HK Theatre Design Exhibition, HK Association of Theatre Technicians & Scenographers & The HK Centre of OISTAT
7/2005                          Adjudicator, Hong Kong Art Biennial, 2005
2/2003                          Adjudicator, Essay Competition on Modern Women, Women’s Commission HK
2/2002                          Adjudicator, Essay Competition on the notion of Public Service, KCR
2/2001                          Adjudicator, High Order Thinking Speech Contest 2001 - Heat, HKBU
1/2001                          Adjudicator, Student Essays Competition, Student Affairs Office, HKBU
10/2000                       Member, Panel of Judges, Outstanding Book Report Award, Home Affairs Bureau, Leisure & Cultural Services Department & Education Department, 2000.

1998                              Adjudicator, Drama session, the 4th Hong Kong Independent Short Film & Video Awards organized by the Provisional Urban Council (HK) and the HK Arts Centre

Academic Service

International Academic Societies

2016 –                           Delegate-at-large (elected), international Association for Aesthetics (IAA)
2016 –                           Trustee (elected), American Society for Aesthetics (ASA)
2012 - 2014                   Delegate-at-large (elected), international Association for Aesthetics (IAA)

Editorial/Advisory Board of Referee Journals

2015 - Present             Member, Editorial Board, Journal of Somaesthetics, published by Netherland: Rodopi and Brill
2003 - Present            Member, International Advisory Committee, Contemporary Aesthetics (Chief editor: Arnold Berleant, USA)
2014                              Reviewer, Asian Women, A referee journal indexed at SSCI, published by Research Institute of Asian Women at Sookmyung Women's University, South Korea.
2010                              Reviewer, The International Journal of the Humanities, Common Ground Publishing IIL, USA.
2003 -                           学术编委。《中国女性主义》学刊,广西师范大学出版社。
2003 -                           Member, Editorial Committee, LEWI Working Paper Series, HKBU
2002 - 2016                  Member, Editorial Committee, Sino-Humanitas, HKBU