刘慧婵博士
工商管理文學士(榮譽)(全球娛樂) 课程主任
副教授
编辑: Global Storytelling: Journal of Digital and Moving Images

dorolau@hkbu.edu.hk
34118099
Education: 
PhD, Comparative Literature,The University of Hong Kong

Area of Interests: 
Star studies, fan studies, celebrity culture, celebrity philanthropy, digital culture, screen culture, Hong Kong cinema, East Asian cinema, auteurs

Major Highlights: 


AWARDS, HONORS, SCHOLARSHIPS

2023 - Faculty/School of Creative Arts Performance Award in Service, Hong Kong Baptist University
2023 - Long Sevice Award, Hong Kong Baptist University
2022 - Visiting Scholar, Department of East Asian Studies, University of Sheffield
2022 - Faculty/School/Academy of Visual Arts Performance Award in Scholarly Work (Early Career Researcher), Hong Kong Baptist University
Award for Outstanding Performance in Scholarly Work 2018/19 by School of Communication, Hong Kong Baptist University

PUBLICATIONS

Single-authored Books

Celebrity Activism and Philanthropy in Asia: Toward a Cosmopolitical Imaginary. Amsterdam University Press. (Forthcoming 2024)
East Asian Auteurs, Cinephilia and the Media Platform Era (working title). (under contract with Edinburgh University Press) 
Reorienting Chinese Stars in Global Polyphonic Network: Voice, Ethnicity, Power, Singapore: Palgrave Macmillan. 2021.
Chinese Stardom in Participatory Cyberculture, Edinburgh: Edinburgh University Press, 2019.


RESEARCH GRANTS

Hong Kong Baptist University, Start-up Grant (Tier 2). “World Cinephilia and Asian Filmmakers in the Post-cinematic Era”. Principal investigator. HKD240,000.
UGC RGC Early Career Scheme, “Renegotiating Film Authorship in Cyberspace: Chinese Filmmakers, Global Fans, Politics of Participation." Principal Investigator. HKD405,000. 2020.
UGC RGC Competitive Research Funding Schemes: The Faculty Development Scheme (FDS), “Reimagining Chinese Celebrities in the Cosmopolitical Order: Humanitarianism, Social Media, Fan Identification.” Principal Investigator. HKD524,431. 2018.
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Area of Interests

Stardom / Celebrity / Fandom / East Asian cinema / Sinophone cinema / Hong Kong cinema / Screen culture / Digital media / Film theory


Academic Qualification

PhD
Comparative Literature, The University of Hong Kong
MPhil
Communication, Hong Kong Baptist University
BA
Comparative Literature, The University of Hong Kong

Positions

2023 - current
Associate Professor, Academy of Film, Hong Kong Baptist University
2018 - 2023
Assistant Professor, Academy of Film, Hong Kong Baptist University
2013 – 2018
Lecturer, Academy of Film, Hong Kong Baptist University
2012 – 2013 
Lecturer, Department of Comparative Literature, The University of Hong Kong
2009 - 2012 
Tutor, Department of Comparative Literature, The University of Hong Kong
2005 – 2009
College Lecturer, Center for International Degree Programmes/Community College & School of Professional and Continuing Education, The University of Hong Kong
2002 – 2005
Lecturer, Department of English, Chu Hai College of Higher Education
2000 – 2002
Tutor, School of Communication, Hong Kong Baptist University
1999 – 2000
Research Assistant, Department of Cinema and Television, Hong Kong Baptist University

Awards, Honours and Scholarships

2023 - Faculty/School of Creative Arts Performance Award in Service, Hong Kong Baptist University
2023 - Long Service Award, Hong Kong Baptist University
2022 - Visiting Scholar, Department of East Asian Studies, University of Sheffield
2022 - Faculty/School/Academy of Visual Arts Performance Award in Scholarly Work (Early Career Researcher), Hong Kong Baptist University
Award for Outstanding Performance in Scholarly Work 2018/19 by School of Communication, Hong Kong Baptist University
Excellent Team Performance Bronze Award by School of Professional and Continuing Education, The University of Hong Kong (2006/2007)
Silver Prize (Translated Works) of Gold Medallion Book Awards by the Association of Chinese Publishers, Hong Kong (2005)

Research Grants

Hong Kong Baptist University, Start-up Grant (Tier 2). “World Cinephilia and Asian Filmmakers in the Post-cinematic Era”. Principal investigator. Grant: HKD240,000.

UGC RGC Early Career Scheme, “Renegotiating Film Authorship in Cyberspace: Chinese Filmmakers, Global Fans, Politics of Participation." Principal Investigator. HKD405,000. 2020.

UGC RGC Competitive Research Funding Schemes: The Faculty Development Scheme (FDS), “Reimagining Chinese Celebrities in the Cosmopolitical Order: Humanitarianism, Social Media, Fan Identification.” Principal Investigator. HKD524,431. 2018. 
HKBU Start-up Grant (Tier 1). “Asian Celebrities and Humanitarianism in the Global Age.” Principal Investigator. HKD10,000, 2018.
Academy of Film, Hong Kong Baptist University. “Chinese Film Stardom in New Media Landscape.” Principal Investigator. HKD20,000, 2016. 

Publications

Single-authored Books

Celebrity Activism and Philanthropy in Asia: Toward a Cosmopolitical Imaginary. Amsterdam University Press. (Forthcoming 2024)
East Asian Auteurs, Cinephilia and the Media Platform Era (working title). (under contract with Edinburgh University Press)
Reorienting Chinese Stars in Global Polyphonic Network: Voice, Ethnicity, Power, Singapore: Palgrave Macmillan. 2021.
Chinese Stardom in Participatory Cyberculture, Edinburgh: Edinburgh University Press, 2019.

Referred Book Chapters / Journal Articles (Selected)

“Zhang Ziyi: An Alternative Female Martial Arts Stardom and The Logic of Indeterminacy”. Fighting Stars: Stardom and Reception in Hong Kong Martial Arts Cinema. Barrowman, Kyle, ed. Bloomsbury. (Forthcoming 2024)
“Mashing-up the Bible’s “Passion” Story: Transmedia Adaptation and User Participation in the Post-celluloid Era.” Routledge Companion to Global Literary Adaptations in the 21st Century. London: Routledge. 2023.
Co-author with Donnar, Glen. “Crisis, Vulnerability and Aged Action Stars: Hong Kong Celebrity Politics in an Era of Turmoil.” Asian Celebrity and Digital Media: The Transformation of Asian Celebrity Culture in the Digital Age, Xu, Jian, Donnar, Glen and Garg, Divya, eds. Hong Kong: Hong Kong University Press. Forthcoming 2023.
Co-edit with Tan, Kenneth Paul. Special Issue: Narrating Cold Wars. Global Storytelling: Journal of Digital and Moving Images. 2(2), 2022.
“Asian Celebrity Capital in Digital Media Networks: Scandal, Body Politics and Nationalism.” Media in Asia: Global, Digital, Gendered and Mobile. Kim, Youna, ed. London and New York: Routledge. 2022. 139-151.
"Charity, Cantopop Stardom and the Pandemic: Aaron Kwok’s Online Concert 2020.” Celebrity Studies 12(4): 2021. 689-692. 
“Aamir Khan and Celebrity Humanitarianism in Asia: Towards a Cosmopolitical Persona.” Celebrity Studies 12(2): 2021. 234-249.
“Gazing of the Wuxia Body: Digital Visual Effects, Looking Relations, and Spectatorship in Peter Chan’s Wu Xia (2011).” Digital Culture and Humanities: Challenges and Developments in a Globalized Asia. Kung, Kaby Wing-sze, ed. Singapore: Springer Singapore. 2020. 17-30.
“Star Construction in the Era of Media Convergence: Pro-Am Online Videos, Co-creative Culture, and Transnational Chinese Icons on YouTube.” Media Culture in Transnational Asia: Convergences and Divergences, Park, Hyesu. ed. New Brunswick: Rutgers University Press. 2020.  
“Discussing Takeshi Kaneshiro: The Polysemic, Pan-Asian Star Image on Internet Fan Forums,” positions: Asia media critique.26(4): 2018. 687-718.
“Donnie Yen’s Star Persona in Amateur-produced Videos on YouTube,” Transformative Works and Cultures 28, “The Future of Fandom” (10th anniversary issue). 2018
“On (Not) Speaking English: The ‘Phonic’ Personae of Transnational Chinese Stars in the Global Visual Network.” Journal of Chinese Cinemas 12(1), 2018: 20-40.
“Reframing Celebrities in the Post-Handover Hong Kong: Political Advocacy, Social Media, and the Performance of Denise Ho,” Hong Kong Studies 1 (1), 2018: 51-65.
“Rearticulating Bruce Lee and his ‘Hip-Hop Fury’ in Fan Made Videos” in Lasting Screen Stars: Personas that Endure and Images that Fade. eds. Lucy Bolton and Julie Lobalzo Wright. Palgrave Macmillan, 2016, 291-303.
“‘Friending’ Jet Li on Facebook: The Chinese Celebrity Persona in Online Social Network.” Journal of Asian Cinema 26(2), 2016: 169-192. 
“Remediating the Star Body: Donnie Yen’s Kung Fu Persona in Hypermedia,” Studies in Media and Communication 4(2): December 2016: 90-98.
“The Matrix Hero on YouTube: Fan Vids as a Form of Transmedia Storytelling” in Social Media: Global Perspectives, Applications and Benefits and Dangers. ed. Annmarie Bennet. New York: Nova Science Publishers. 2014, 89-106.
“Actor or Ambassador? The Star Persona of Jackie Chan in Social Media.” Continuum: Journal of Media & Cultural Studies. March 2014: 1-17.
“Donnie Yen’s Wing Chun Body as a Cyber-Intertext.” Journal of Chinese Cinema 7 (2), 2013: 157-173.
“The Flickering of Jackie Chan: Transnational Chinese Film Stardom, Web 2.0, and the Signification of Performance.” The International Journal of the Humanities 8 (2), 2010: 11-22.
“Between Personal Signature and Industrial Standards: John Woo as a Hong Kong Auteur in Hollywood.” LEWI Working Paper Series 22. Hong Kong Baptist University. 3.2004.

Manuscripts Submitted/Accepted/Under Review

“Renegotiating Jia Zhangke’s Auteurist Identity on Douban.” Journal of Chinese Film Studies. (accepted)
“Wong Kar-wai on Bilibili: Reconfiguring Hong Kong Auteurs in the Chinese Platformized Cinephilic Culture.” Journal of Chinese Cinemas. (submitted)
“Intraregional Star Currency: Michelle Yeoh’s Goodwill Image and her Southeast Asian Connections in the Intermedial Space.” Inter-Asia Intermediality. Bernards, Brian and Gonzaga, Elmo, eds. University of Hawai‘i Press. (under review)
“Michelle Yeoh and the Aging Discourse of Asian Female Celebrities.” Routledge Companion to Gender and Celebrity, Taylor, Anthea and McIntyre, Joanna, eds. (under review)

Book Chapters / Journal Articles (Non-Referred Works)

「‘I Desire, Therefore I Am’:後現代資本主義與慾望的經濟」.《經世致用─經濟與神學 的另類想像》. 趙崇明編. 香港: 文藝出版社. 2016. 
香港電影人在荷里活. 《吳宇森電影講座》. 卓伯棠編. 香港: 香港浸會大學電影電視系, 天地圖書. 2005, 205-272.
“Hollywood: An Unfailing Institution.” Film Appreciation Journal. Fall, No. 121. 10-12. 2004.
“Interview With Karen Fang—The Writer of A Better Tomorrow”. Film Critics’ Quarterly. 7.2004: 28. 

Translation Projects

From Chinese to English

Cheuk, Pak Tong, Hong Kong New Wave Cinema (1978-2000), Bristol, UK / Chicago, USA: Intellect, 2008.

From English to Chinese

Godawa, Brian. Hollywood Worldview: Watching Film with Wisdom and Discernment. Hong Kong: FES Press. 2005.
Bordwell, David. “Transnational Space: Toward a Poetics of Chinese Cinema.” Film Appreciation Journal 104. 6-8.2000: 15-25, Co-trans. with Yeh Yueh-yu.
Kleinhans, Chuck. “Becoming Hollywood: New Era of Hong Kong.” Film Appreciation Journal 105, 9-11.2000: 23-28, Co-trans. with Yeh Yueh-yu.

Invited Seminars, Panels and Guest Lectures (Academic)

“Role of Film in Hong Kong Today.” Oxford University Hong Kong Scholars Association, July 1, 2023.
“Reconfiguring Wong Kar-wai in China’s Platformized Cinephilic Culture.” Sheffield Center for Research in Film, University of Sheffield, April 26, 2023.
“East Asian Stars and the Transnational Reception: The Case of Michelle Yeoh.” School of East Asian Studies, University of Sheffield, March 17, 2023.
“Piccadilly (1929).” Panel: Women’s Representations in ‘Specialized Film’. The 2023 Mint Chinese Film Festival, February 4, 2023.
“Recoding Asian Stars in the Cocreative Media Culture: Donnie Yen’s Persona in Digital Amateur Videos”, University of Sheffield, December 13, 2022.
“Chinese Female Star Power in Translingual Media Culture: The Case of Michelle Yeoh.” China Center, University of Oxford, November 23, 2022.
“The Silvering Hong Kong Screen: Time (2021), Representation of Old Age, and the Discourse of Aging Stardom.” Oxford University Hong Kong Scholars Association. November 19, 2022.
“Reimagining East Asian Stars: Takeshi Kaneshiro’s Multilingual Media Persona,” SEAS seminar series. University of Sheffield, November 11, 2022.
“The Silvering of Genre and Stardom: Time (2021), ‘Old Age’, and Rejuvenation on Contemporary Hong Kong Screen.” UBC Cantonese Popular Culture Master Class. University of British Columbia. February 22, 2022.
“Re-examining Bruce Lee’s Kung Fu Persona in the Cyber Frontier: An Aural-based Approach.” SEAS seminar series. The University of Sheffield. December 3, 2021.
“Asian Female Power On- and Off-screen: Michelle Yeoh’s Stardom in the Translingual Media Culture.” Research Postgraduate Program. Hong Kong Baptist University. November 16, 2021.
“Construction and Reception of Transnational Chinese Stars in Global Film Networks: The Case of Michelle Yeoh.” American Studies Program. The University of Hong Kong. October 8, 2021.
Book Talk: Reorienting Chinese Stars in Global Polyphonic Network: Voice, Ethnicity, Power. Hong Kong Baptist University. June 17, 2021.
“Reworking of Film Star Persona in Amateur-produced Online Videos.” HKBU-SHU Online Workshop on Smart Media Technologies, AI and Ethics, and Film Arts. September 29, 2020.
“Charity, Cantopop Stardom and the Pandemic: Aaron Kwok’s Online Concert.” The Asian Pandemic Panel Series: Asian Celebrity and the Pandemic: Misreading the Room?. Web. June 18, 2020.
“From the Celluloid Screen to the Cyber Screen: Re-reading Film Stars in Participatory Culture.” The Read & Red: Pillars of PolyU Lecture Series, Faculty of Humanities, The Hong Kong Polytechnic University. October 14, 2019.
“Reimagining Film Stars in Cyberculture: Donnie Yen’s Martial Arts Body, Digital Poetics, and Co-creative Media Economies,” The Visual Cultural Studies program, The Chinese University of Hong Kong. September 27, 2019.
“Intermedial Star Construction in the 1980s’ Hong Kong Cinema.” The Fourth International Conference on the Film Histories of Taiwan and Asia: Taiwan and Hong Kong Cinemas during the 1980s, Taipei National University of the Arts, Taiwan, April 27-28, 2019.
“Chinese Celebrities in Participatory Cyberspace.” The Education University of Hong Kong, March 28, 2019.
“Chinese Stardom in Participatory Cyberculture.” Centre for China Studies, The Chinese University of Hong Kong, March 25, 2019.
“Reinventing Film Stardom in Digital Culture.” The University of Hong Kong. March 15, 2019.
“Chinese Stardom in Participatory Cyberculture.” Hong Kong Baptist University, January 25, 2019.
“Isango Ensemble - U-Carmen eKhayelitsha”, HK Arts Festival 2018 & Hong Kong Baptist University, February 8, 2018.
“Watch Great Movies - Breathless”, Academy of Film, Hong Kong Baptist University, January 24, 2017.

Conference Presentations (Selected)

“Cinephilic Remediation of the East Asian Auteurist Brand on Digital Platforms: The Case of Bong Joon-ho.” AAS Annual Conference. Seattle. March 15, 2024.
(Speaker and respondent) “Intraregional Star Currency: Michelle Yeoh’s Goodwill Image and her Southeast Asian Connections in the Intermedial Space”. Inter-Asia Intermediality: A Two-Part International Workshop. Part II: The Chinese University of Hong Kong. June 11, 2022.
“Exploring Celebrity Humanitarianism in Asia: Aamir Khan’s Cosmopolitical Persona in Transmedia Space.” Starring Asia: A Three-Day Conference on Asian Stardom and Celebrity, Melbourne, Australia, December 2-4 2019.
“Star Construction in the Era of Media Convergence: Pro-Am Online Videos, Participatory Culture, and Donnie Yen’s Image on YouTube,” AAS-in-Asia, New Delhi, July 7, 2018.
‘“Who is Mr. Kam, or … Mr. Kim?”: Takeshi Kaneshiro, Intermediality, and East-Asian Star Construction in the Culture of Convergence,’ Asia Intermedialities: New Objects, Themes, and Methods at the Convergence of East and Southeast Asian Cultural and Media Studies, Hong Kong: Chinese University of Hong Kong, May 26, 2018.
“When Martial Arts Meets Star Wars: Amateur-produced Videos, Knowledge of Stars, Discursive Power.” The Third International Conference in Pop Culture and Education, Hong Kong: The Education University of Hong Kong, July 20, 2017.
‘Remembering the “Dragon”: Fan-made Video Tributes of Bruce Lee in the Digital Participatory Era.’ Interdisciplinary Conference: Research and Teaching in the Digital Era: Dialogues on Screen, Literary, and Ecocritical Studies, Hong Kong: The University of Hong Kong, May 24, 2017.
‘Authenticating the Martial Arts Body in Hong Kong Cinema: The Case of Dragon Tiger Gate.” RIDCH Conference: Digital Art and Film, Hong Kong: Open University of Hong Kong, July 4-6, 2016.
“Gazing of the Wuxia Body: Digital Visual Effects, Looking Relations, and Peter Chan’s Wu Xia (2011),” RIDCH Conferences: Digitization and Reconceptualizations of the Humanities, Hong Kong: Open University of Hong Kong, December 17-18, 2015.
“The Ethnic Star Phenomenon in Participatory Cyberculture: Chinese Movie Stardom, Zhang Ziyi, and YouTube,” The Asian Conference on Arts and Humanities, Osaka, Japan, April 5-8, 2012.
“The Martial-Arts Body as Cyber-Intertext: The Case of Donnie Yen,” Asian Cinema Studies Society Conference, The University of Hong Kong, Hong Kong, March 16-20, 2012.
“Friending the Star in the Networked, Participatory Culture: The Case of Jet Li on Facebook,” Southwest/Texas Popular and American Culture Association Conference (Computer Culture Area), Albuquerque, USA, February 8-11, 2012.
“The Flickering of Jackie Chan: Cosmopolitan Chinese Film Stardom, Web 2.0, and the Signification of Performance.” China-West: Cosmopolitics, Memory and Visual Media in the 21st Century, The University of Hong Kong, Hong Kong, June 11-12, 2010.

 

Invited Media Interviews

Sui, Cindy, “Hong Kong’s Film Industry Quietly Blooming Again, Despite Censorship.” Voice of America, June 13, 2023. https://www.voanews.com/a/hong-kong-s-film-industry-quietly-blooming-again-despite-censorship-/7135541.html
iMoney, “Re-emergence of the Golden Era of Hong Kong Films.” Issue 812. May 13, 2023.
NowTV, “The Rebounce of Hong Kong Films.” Now Report episode 351. April 23, 2023. https://fb.watch/k8gKmESK0S/
CNN, “Major night for Asian representation at the Oscars, with historic wins for ‘Everything Everywhere All at Onc’ and ‘RRR’.” March 13, 2023. https://edition.cnn.com/style/article/oscars-asian-representation-rrr-michelle-yeoh-intl-hnk/index.html?fbclid=IwAR0j0E2Rk1pxQlNBVDeEOYdxxg5NLn0UEGlAz8edO0LVpM9OCZ8DpwkZkio
Zolima, “Celebrity Culture under the Spotlight at Para Site.” December 23, 2022. https://zolimacitymag.com/celebrity-culture-spotlight-para-site-fandom-mirror-fanatic-heart/?fbclid=IwAR1AkBI5N1UGfg48QlKM4-sQYwsEnN0SUwBW5vcjBXGi9l_r2TRKSd2hnks
The Voice, “Why Are the Public Response So Different to Janice Vidal and Hins Cheung who Talked About Their Faith in Their Concerts?” (衛蘭同張敬軒都係演唱會講信仰點解坊間反應咁唔同? July 12, 2022. https://www.instagram.com/p/Cf6XjP1NzAO/
Ming Pao, “Future Cities: Hilariously Ridiculous, In Geek We Trust Saying Goodbye to “Flow-through” Comedies  (未來城市:荒謬得引人發笑 《IT狗》向流水式喜劇說再見). February 6, 2022. https://m.mingpao.com/pns/副刊/article/20220206/s00005/1644086444493/

BBC News Chinese, The ‘Wu Jing’ Phenomenon: The Proliferation of Main Melody Films in China  (吳京現象:中國“主旋律”電影盛行,背後的“投機性”隱憂). October 21, 2021. https://www.bbc.com/zhongwen/simp/chinese-news-58968702

BBC News Chinese. ‘Hong Kong Celebrities in the Controversy of Anti-extradition Law: “You Will Have Troubles if You Do Not Love Your Nation.”’ (逃犯條例風波中的香港藝人:「不愛國你就麻煩了」). July 17, 2019. https://www.bbc.com/zhongwen/trad/chinese-news-49008166
BBC News Chinese, The Backstory of the Defense of Jay Chou: The New Idols Fabricated by the Traffic Data on the Web (周杰倫保衛戰背後:互聯網流量撐起的新偶像).  July 27, 2019.  https://www.bbc.com/zhongwen/trad/chinese-news-49114897
The Hollywood Reporter, ‘Inside Disney’s Bold $200M Gamble on ‘Mulan’: “The Stakes Couldn’t Be Higher”.’ February 26, 2020. https://www.hollywoodreporter.com/features/inside-disneys-bold-200m-gamble-mulan-stakes-couldnt-be-higher-1280999
SCMP. “How Gender Inequality in Film and Entertainment Isn’t Just a Hollywood Problem.” March 6, 2020. https://www.scmp.com/lifestyle/entertainment/article/3065232/how-gender-inequality-film-and-entertainment-isnt-just 
BU Horizon, Issue 2, 2019-20. “Reviving the Local Flavour of Hong Kong Films.” https://cpro.hkbu.edu.hk/en/communication_collaterals/detail/Reviving-the-local-flavour-of-Hong-Kong-films/?fbclid=IwAR3MyXJCoMKjL6lxDjX2aRDAqfiT41d0ZFC5NeZq521iyvkH8zkD6zUcSvg

Professional  Experiences

Journal Editor

Managing Editor, Global Storytelling: Journal of Digital and Moving Images

Journal Reviewer

Journal of Cinema and Media Studies, Continuum: Journal of Media and Cultural Studies, Quarterly Review of Film and Video, Journal of Asian Cinema, Celebrity Studies, European Journal of Cultural Studies, China Perspectives, Chinese Journal of Communication, Ex-position, Plaridel Journal, Journal of Chinese Film Studies, Global Media and China, International Journal of Cultural Studies

Adjudicator

2018                 The First Global University Film Awards (first round selection)
2019                 The Second Global University Film Awards (first round selection)

Discussant

International Research Postgraduate Conference on Method in Asia, The Chinese University of Hong Kong. October 27, 2018.

Organizing Committee Member

Academic conference: Global Storytelling, Academy of Film, Hong Kong Baptist University, December 8-10, 2019.

Community Service (as invited guest speaker)

“From Hong Kong to Hollywood: Michelle Yeoh’s Transnational Star Image and its Cultural Politics.” (從香港到荷里活:楊紫瓊的跨國明星形象及其文化政治), organized by Pause Space FES. February 25, 2023. 
Film Salon - Mad World, organized by Mission Covenant Church Oriental Church, September 18, 2019. 
“On The Sentence”, Sundance Friday: Women Power, organized by Sundance Film Festival, Hong Kong. December 7, 2018.
“Spirituality in Film” (光影中的靈性), organized by Spiritual Formation International, November 12, 2016.
“Trauma and Transcendence: The Films of Hirokazu Kore-eda and an Exploration of Spirituality” (創傷 與超越:是枝裕和電影與靈性探索), organized by Spiritual Formation International, April 6, 2018.
“Isango Ensemble - U-Carmen eKhayelitsha”, co-organized by HK Arts Festival 2018 & Hong Kong Baptist University, February 8, 2018.
“Local Culture and Foreign Influence: The Film Environment that Shaped John Woo,” organized by Hong Kong Film Archive, Hong Kong, December 12, 2002.

Membership

The Asian Media and Cultural Studies Network (2020-current)
Chinese Communication Association (2014-15)