曾泓博士助理教授
hongzeng@hkbu.edu.hk
34117220
Education:
PhD, School of Creative Media, City University of Hong Kong
Area of Interests:
creative industries, gender and visual culture, Sinophone Cinema, contemporary art in Hong Kong and China, digital media, museum studies, nationalism and visual culture
Major Highlights:
Grants and Awards
| 2023 | “Transforming national culture into intellectual property: Guofeng games in China’s online game industry,” General Research Fund, Research Grants Council of Hong Kong Government |
| “Women Artists Reshaping Spatial Politics in Hong Kong,” Project Grant, Hong Kong Arts Development Council | |
| 2022 | Research & Knowledge Transfer Excellence Awards, Lingnan University |
| “The Contemporary Art Ecosystem in the Pearl River Delta: A Case Study of Region-building and Worlding Practices,” Early Career Scheme, Research Grants Council of Hong Kong Government | |
| 2020 | Yale-China Arts Fellowship, Council on East Asian Studies, Yale University |
Publications
| Forthcoming | Women Artists Reshaping Spatial Politics in Hong Kong, under contract with Amsterdam University Press. |
| 2022 | (with Choi, W.Y.K.) “Her Body Belongs to Her Nation? A Feminist Reading of Recent Chinese and American Female Spy Films”, Feminist Media Studies. Online first: https://doi.org/10.1080/14680777.2022.2061031. |
| 2020 | “Contemporary Flâneuses in Late Capitalism: The Representation of Urban Space in Two Hong Kong Women Artists’ Works”, Continuum: Journal of Media & Cultural Studies, 34:3, 448-467. |
| “Spatial Politics in Socially Engaged Art – Projects About the Umbrella Movement Created by Two Hong Kong Women Artists”, Journal of Visual Art Practice, 19:2, 103-124. | |
| 2019 | “Translocal Female Subjectivity: Notes on Ann Hui’s The Golden Era”, Asian Cinema, 30:1, 91–107 |
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Publications and Research Outputs
Journal Articles
| 2022 | (with Choi, W.Y.K.) “Her Body Belongs to Her Nation? A Feminist Reading of Recent Chinese and American Female Spy Films”, Feminist Media Studies. Online first: https://doi.org/10.1080/14680777.2022.2061031. |
| 2020 | “Contemporary Flâneuses in Late Capitalism: The Representation of Urban Space in Two Hong Kong Women Artists’ Works”, Continuum: Journal of Media & Cultural Studies, 34:3, 448-467. |
| “Spatial Politics in Socially Engaged Art – Projects About the Umbrella Movement Created by Two Hong Kong Women Artists”, Journal of Visual Art Practice, 19:2, 103-124. | |
| 2019 | “Translocal Female Subjectivity: Notes on Ann Hui’s The Golden Era”, Asian Cinema, 30:1, 91–107. |
| 2014 | 「在政治與藝術之間——波蘭“道德焦慮電影”探析」. 《當代電影》. |
| 2013 | 「尼古拉斯·溫丁·雷弗恩：暴力影像的極致」. 《當代電影》. |
| 2012 | 周星，張洪忠，曾泓，塗俊儀.「多元影像生態背景下的城市居民電影院消費狀況分析」. 《當代電影》.2012年第7期，第75﹣79頁. |
| 2012 | 周星，張洪忠，塗俊儀, 曾泓.「新媒體環境下都市影像消費生態調查」. 《現代傳播》. 2012年第8期, 第8﹣14頁. |
Books
| Forthcoming | Women Artists Reshaping Spatial Politics in Hong Kong, under contract with Amsterdam University Press. |
| 2015 | 孫宜君，王宜文，曾泓.《歐美經典電影讀解》. 北京師範大學出版社. |
Book Chapters
| Forthcoming | “Envisioning A Home: The Domestic Represented in Visual Arts in China and Hong Kong.” In Housing, the Home and Society: Research Handbook, edited by Keith Jacobs, Kathleen Flanagan, Julia Verdouw and Jackie De Vries, Edward Elgar Publishers, forthcoming. |
| 2017 | 「中國合伙人」, 《2012-2013年度重點影片研究》. 中國輕工業出版社，第238﹣245頁. |
| 2013 | 「《Hello！樹先生》分析報告」. 《2011重點影片研究》. 中國電影出版社，第177﹣190頁. |
Curatorial Projects
| 2021 | “Non-place” and “That Place”: Ko Chi-Keung in Conversation with Tang Ying Chi, Lumenvisum, Hong Kong |
| 2020 | Hong Kong in Poor Images, Ely Center of Contemporary Art, New Haven, Connecticut, U.S.A. |
| 2019 | Blown Away — Art, Science and Extreme Weather, Tai Kwun, Hong Kong |
Creative Projects
| 2020 |
Film: Goodbye Areca Flower, Goodbye (2020)
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Data visualization project: Her Trajectory (2020) |