曾泓博士

曾泓博士
助理教授

hongzeng@hkbu.edu.hk
34117220
Education: 
PhD, School of Creative Media, City University of Hong Kong

Area of Interests: 
creative industries, gender and visual culture, Sinophone Cinema, contemporary art in Hong Kong and China, digital media, museum studies, nationalism and visual culture

Major Highlights: 

Grants and Awards

2023 “Transforming national culture into intellectual property: Guofeng games in China’s online game industry,” General Research Fund, Research Grants Council of Hong Kong Government
“Women Artists Reshaping Spatial Politics in Hong Kong,” Project Grant, Hong Kong Arts Development Council
2022 Research & Knowledge Transfer Excellence Awards, Lingnan University 
“The Contemporary Art Ecosystem in the Pearl River Delta: A Case Study of Region-building and Worlding Practices,” Early Career Scheme, Research Grants Council of Hong Kong Government
2020 Yale-China Arts Fellowship, Council on East Asian Studies, Yale University 

 

Publications

Forthcoming Women Artists Reshaping Spatial Politics in Hong Kong, under contract with Amsterdam University Press.
2022 (with Choi, W.Y.K.) “Her Body Belongs to Her Nation? A Feminist Reading of Recent Chinese and American Female Spy Films”, Feminist Media Studies. Online first: https://doi.org/10.1080/14680777.2022.2061031.
2020 “Contemporary Flâneuses in Late Capitalism: The Representation of Urban Space in Two Hong Kong Women Artists’ Works”, Continuum: Journal of Media & Cultural Studies, 34:3, 448-467.
“Spatial Politics in Socially Engaged Art – Projects About the Umbrella Movement Created by Two Hong Kong Women Artists”, Journal of Visual Art Practice, 19:2, 103-124.
2019 “Translocal Female Subjectivity: Notes on Ann Hui’s The Golden Era”, Asian Cinema, 30:1, 91–107

 

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Publications and Research Outputs

Journal Articles

2022 (with Choi, W.Y.K.) “Her Body Belongs to Her Nation? A Feminist Reading of Recent Chinese and American Female Spy Films”, Feminist Media Studies. Online first: https://doi.org/10.1080/14680777.2022.2061031.
2020 “Contemporary Flâneuses in Late Capitalism: The Representation of Urban Space in Two Hong Kong Women Artists’ Works”, Continuum: Journal of Media & Cultural Studies, 34:3, 448-467.
“Spatial Politics in Socially Engaged Art – Projects About the Umbrella Movement Created by Two Hong Kong Women Artists”, Journal of Visual Art Practice, 19:2, 103-124.
2019 “Translocal Female Subjectivity: Notes on Ann Hui’s The Golden Era”, Asian Cinema, 30:1, 91–107.
2014 「在政治與藝術之間——波蘭“道德焦慮電影”探析」. 《當代電影》.
2013 「尼古拉斯·溫丁·雷弗恩:暴力影像的極致」. 《當代電影》.
2012 周星,張洪忠,曾泓,塗俊儀.「多元影像生態背景下的城市居民電影院消費狀況分析」. 《當代電影》.2012年第7期,第75﹣79頁. 
2012 周星,張洪忠,塗俊儀, 曾泓.「新媒體環境下都市影像消費生態調查」. 《現代傳播》. 2012年第8期, 第8﹣14頁. 

Books

Forthcoming Women Artists Reshaping Spatial Politics in Hong Kong, under contract with Amsterdam University Press.
2015 孫宜君,王宜文,曾泓.《歐美經典電影讀解》. 北京師範大學出版社. 

Book Chapters

Forthcoming “Envisioning A Home: The Domestic Represented in Visual Arts in China and Hong Kong.” In Housing, the Home and Society: Research Handbook, edited by Keith Jacobs, Kathleen Flanagan, Julia Verdouw and Jackie De Vries, Edward Elgar Publishers, forthcoming.
2017 「中國合伙人」, 《2012-2013年度重點影片研究》. 中國輕工業出版社,第238﹣245頁. 
2013 「《Hello!樹先生》分析報告」. 《2011重點影片研究》. 中國電影出版社,第177﹣190頁. 

Curatorial Projects

2021 “Non-place” and “That Place”: Ko Chi-Keung in Conversation with Tang Ying Chi, Lumenvisum, Hong Kong
2020 Hong Kong in Poor Images, Ely Center of Contemporary Art, New Haven, Connecticut, U.S.A.
2019 Blown Away — Art, Science and Extreme Weather, Tai Kwun, Hong Kong

Creative Projects

2020

Film: Goodbye Areca Flower, Goodbye (2020)

  • Screened at:
    • International Festival of Arts and Ideas, Connecticut, United States, 2020.
    • International Society for Ethnology and Folklore 15th Congress, Helsinki, Finland 2021.

Data visualization project: Her Trajectory (2020)

https://hertrajectory.com/