曾泓博士助理教授
hongzeng@hkbu.edu.hk
34117220
Education:
PhD, School of Creative Media, City University of Hong Kong
Area of Interests:
creative industries, gender and visual culture, Sinophone Cinema, contemporary art in Hong Kong and China, digital media, museum studies, nationalism and visual culture
Major Highlights:
Grants and Awards
| 2023 | “Transforming national culture into intellectual property: Guofeng games in China’s online game industry,” General Research Fund, Research Grants Council of Hong Kong Government |
| “Women Artists Reshaping Spatial Politics in Hong Kong,” Project Grant, Hong Kong Arts Development Council | |
| 2022 | Research & Knowledge Transfer Excellence Awards, Lingnan University |
| “The Contemporary Art Ecosystem in the Pearl River Delta: A Case Study of Region-building and Worlding Practices,” Early Career Scheme, Research Grants Council of Hong Kong Government | |
| 2020 | Yale-China Arts Fellowship, Council on East Asian Studies, Yale University |
Publications
| Forthcoming | Women Artists Reshaping Spatial Politics in Hong Kong, under contract with Amsterdam University Press. |
| 2024 |
Representing Her Trajectory: Reflections on An Arts-based Research on Women Migration and Data Visualization,” Visual Communication,
online first: https://doi.org/10.1177/14703572231210964 |
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(with Choi, W.Y.K.) “Museumising Bruce Lee in a Hong Kong public museum:(De) political imagination and the culture of disappearance,” International Journal of Heritage Studies, online first: https://doi.org/10.1080/13527258.2024.2386697 |
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| 2023 | “The Intimate Thing that Makes Her Feel at Home: An Analysis of the Diasporic Objects of Women Migrants,” European Journal of Cultural Studies, online first: https://doi.org/10.1177/13675494231214561. |
| (with Choi, W.Y.K.) “Her Body Belongs to Her Nation? A Feminist Reading of Recent Chinese and American Female Spy Films,” Feminist Media Studies, 23:6, 2497-2513. | |
| 2020 | “Contemporary Flâneuses in Late Capitalism: The Representation of Urban Space in Two Hong Kong Women Artists’ Works”, Continuum: Journal of Media & Cultural Studies, 34:3, 448-467. |
| “Spatial Politics in Socially Engaged Art – Projects About the Umbrella Movement Created by Two Hong Kong Women Artists”, Journal of Visual Art Practice, 19:2, 103-124. | |
| 2019 | “Translocal Female Subjectivity: Notes on Ann Hui’s The Golden Era”, Asian Cinema, 30:1, 91–107 |
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Publications and Research Outputs
Journal Articles
| 2024 | “Representing Her Trajectory: Reflections on An Arts-based Research on Women Migration and Data Visualization,” Visual Communication, online first: https://doi.org/10.1177/14703572231210964 |
| (with Choi, W.Y.K.) “Museumising Bruce Lee in a Hong Kong public museum:(De) political imagination and the culture of disappearance,” International Journal of Heritage Studies, online first: https://doi.org/10.1080/13527258.2024.2386697 | |
| 2023 | “The Intimate Thing that Makes Her Feel at Home: An Analysis of the Diasporic Objects of Women Migrants,” European Journal of Cultural Studies, online first: https://doi.org/10.1177/13675494231214561. |
| (with Choi, W.Y.K.) “Her Body Belongs to Her Nation? A Feminist Reading of Recent Chinese and American Female Spy Films,” Feminist Media Studies, 23:6, 2497-2513. | |
| 2020 | “Contemporary Flâneuses in Late Capitalism: The Representation of Urban Space in Two Hong Kong Women Artists’ Works”, Continuum: Journal of Media & Cultural Studies, 34:3, 448-467. |
| “Spatial Politics in Socially Engaged Art – Projects About the Umbrella Movement Created by Two Hong Kong Women Artists”, Journal of Visual Art Practice, 19:2, 103-124. | |
| 2019 | “Translocal Female Subjectivity: Notes on Ann Hui’s The Golden Era”, Asian Cinema, 30:1, 91–107. |
| 2014 | “The Analysis of Polish Cinema of Moral Concern”, Contemporary Cinema, 2014(11), pp. 111-115. (Chinese) |
| 2013 | “Nicolas Winding Refn: The Superlative Image of Violent”, Contemporary Cinema, 2013(12), pp. 146-150. (Chinese) |
| 2012 | “The Analysis of China Cinema Consumption in the Cities”, Contemporary Cinema, 2012(7), p 75-79. (Chinese) |
| 2012 | “The Investigation of China Cinema Consumption in the Cities in the Context of New Media”, Modern Communication, 2012(8), p 8-14. (Chinese) |
Books
| Forthcoming | Women Artists Reshaping Spatial Politics in Hong Kong, under contract with Amsterdam University Press. |
| 2015 | Explanation of Western Classic Films. Beijing Normal University Publishing Group. (Chinese) |
Book Chapters
| Forthcoming | “Envisioning A Home: The Domestic Represented in Visual Arts in China and Hong Kong.” In Housing, the Home and Society: Research Handbook, edited by Keith Jacobs, Kathleen Flanagan, Julia Verdouw and Jackie De Vries, Edward Elgar Publishers, forthcoming. |
| 2017 | “The Analysis of American Dreams in China.” in Key Film Research 2012-2013. China Light Industry Press, pp 238-245. (Chinese) |
| 2013 | “The Analysis of Hello! Mr. Tree." in Key Film Research 2011. China Film Press, pp 177-190. (Chinese) |
Curatorial Projects
| 2021 | “Non-place” and “That Place”: Ko Chi-Keung in Conversation with Tang Ying Chi, Lumenvisum, Hong Kong |
| 2020 | Hong Kong in Poor Images, Ely Center of Contemporary Art, New Haven, Connecticut, U.S.A. |
| 2019 | Blown Away — Art, Science and Extreme Weather, Tai Kwun, Hong Kong |
Creative Projects
| 2020 |
Film: Goodbye Areca Flower, Goodbye (2020)
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Data visualization project: Her Trajectory (2020) |