副教授

lowailuk@hkbu.edu.hk
34117222
教育: 
Ph. D. Theatre Studies, City University of New York

专业范畴: 
History of Chinese Cinema / Aesthetics of Chinese films / Theatre Aesthetics / Hong Kong Performance Studies

主要成就: 
2016 Outstanding Service to Dance for the book In Search of Hong Kong Dance, Dance Award 2016, Hong Kong Dance Alliance
Lo Wai Luk, ed. (2016), Anthology of Hong Kong Literature (1919 – 1949): Drama. Hong Kong: Commercial Press.
2015 Lo Wai Luk (March 2015), “The Cultural Politics of 20th Century Hong Kong Drama – Discussion on Several Phenomena,” in Chen and others ed. Hong Kong: Metropolitan Imagination and Cultural Memory, Beijing: Beijing University Press, 293 – 306.
〈20世纪香港戏剧的文化政治 - 几个现象概述〉,陈平原等编《香港:都市想象与文化记忆》(北京:北京大学出版) ,页293 - 306。
2014 Lo Wai Luk (Nov 2014) , ”Between Hong Kong and China – Several Phenomena in the Cultural History of Hong Kong Cantonese Cinema,” in Eva Man ed. Cantonese Culture of Hong Kong (Hong Kong: Commercial Press), 100 – 119.
 〈在香港和中国之间 - 香港粤语电影文化史上的几个现象〉,文洁华编《香港嘅广东文化》(香港:商务印书馆) ,页100 - 119。
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Education

Ph. D. Theatre Studies, City University of New York

Positions Held

2005- Associate Professor School of Communication, HKBU
1997-2005 Assistant Professor School of Communication, HKBU
1996-97 Visiting Lecturer Division of Humanity, HKUST
1995-96 Visiting Lecturer School of Design, HK Polytechnic University
1994-96 Part-time Lecturer Hong Kong Academy for Performing Arts
Hong Kong Baptist University
School of Continuing Education, HKCU
Hong Kong Arts Centre
1994-2003 Guest Director Chung Ying Theatre Company
Southern China Film Workers Union
Hong Kong Film and Television Theatrical Association
Horizonte Theatre Company
Shatin Theatre Company
1991-92 Lecturer Department of Communication, Hong Kong Baptist College

Selected Publications or Creative Works

Academic Books

Lo Wai Luk, ed. (2016), Anthology of Hong Kong Literature (1919 – 1949): Drama. Hong Kong: Commercial Press
Lo Wai Luk (2015) In Search of Hong Kong Dance,sponsored by Hong Kong Arts Development Council. Hong Kong: International Association of Theatre Critics (HK).
Lo Wai Luk (2012) Perspectives on Contemporary Hong Kong Theatre, sponsored by Hong Kong Arts Development Council. Hong Kong: International Association of Theatre Critics (HK).
Lo Wai Luk (2011) Collected Drama Criticism: Twenty Years. Hong Kong: International Association of Theatre Critics (HK).
Lo WaiLuk (2010) Dance Words: Criticism, Aesthetic Discourse, and Creative Writings, sponsored by Hong Kong Arts Development Council. Hong Kong: International of Theatre Critics.
Lo Wai Luk, ed. (2007) Anthology of Hong Kong Drama Criticisms (1960 – 1999), sponsored by Hong Kong Arts Development Council. Hong Kong: International Association of Theatre Criticism (HK).
Lo Wai Luk, co-ed. (2007) Listing of Hong Kong Drama Critisism (1960 – 1999), sponsored by Hong Kong Arts Development Council. Hong Kong: International Association of Theatre Critic (HK).
Lo Wai Luk ed. (2007) Hong Kong Theatre Journal Vol 7, Hong Kong: Chinese University of Hong Kong.
Lo Wai Luk (2007) Taste of Drama – Dramaturgical Remarks of Performances of Hong Kong Repertory Theatre Company. Hong Kong: International Association of Theatre Critics (HK).

Selected Creative Writings and other Books

Lo Wai Luk (2010), Perhaps it is Connected by Randomness (poetry collection). Hong Kong: Creative Book Shop.
Lo Wai Luk (2008), Collected Plays of Wai Luk Lo, sponsored by Hong Kong Arts Development Council. Hong Kong: International Association of Theatre Critics (HK).
Lo Wai Luk (2005), Remarks on Creative Writings. Hong Kong: Creative Book Shop.
Lo Wai Luk (2002), Searched, Others (prose collection). Hong Kong: Creative.
Lo Wai Luk(1999)。New York Note Book, sponsored by Hong Kong Arts Development Council. Hong Kong: Sunflower Workshop
Lo Wai Luk (1997)。In Search of Myself (poetry), sponsored by Hong Kong Arts Development Council. Hong Kong: SuYeh Publishing.

Selected Journal articles, book chapters (2009 – 2016)

Lo Wai Luk, ed. (2016), “Introduction,” Anthology of Hong Kong Literature (1919 – 1949): Drama (Hong Kong: Commercial Press), 43 – 74.
Lo Wai Luk (March 2015), “The Cultural Politics of 20th Century Hong Kong Drama – Discussion on Several Phenomena,” in Chen and others ed. Hong Kong: Metropolitan Imagination and Cultural Memory, Beijing: Beijing University Press, 293 – 306.
〈20世纪香港戏剧的文化政治 - 几个现象概述〉,陈平原等编《香港:都市想象与文化记忆》(北京:北京大学出版) ,页293 - 306。
Lo Wai Luk (Dec 2014), “The Tragic Awakening of the Chinese Cinema in the New Era (1979b – 1989), Journal of Guizhou University, Vol 28, No 6, 39 -55.
 〈新时期中国电影的悲剧觉醒〉,《贵州大学学报艺术版》第二十八卷第六期,页39 - 55。
Lo Wai Luk (Nov 2014) , ”Between Hong Kong and China – Several Phenomena in the Cultural History of Hong Kong Cantonese Cinema,” in Eva Man ed. Cantonese Culture of Hong Kong (Hong Kong: Commercial Press), 100 – 119.
 〈在香港和中国之间 - 香港粤语电影文化史上的几个现象〉,文洁华编《香港嘅广东文化》(香港:商务印书馆) ,页100 - 119。
Lo Wai Luk (Sept 2014), “Eternal Innocence – Children Star Culture of Early Chinese Cinema and the Screen Image of Lai Heng,” (Hong Kong: Creative Book),
〈永远的纯粹童真 -从早期中国电影的童星文化看黎铿的银幕形像〉,费明仪等编《著名童星、朗朗艺术家黎铿》(香港:创造书店) ,页41 - 53。
Lo Wai Luk (Aug 2014), “The Cultural Imagination of Hong Kong Cantonese Martial Arts Films of 1950s – 60s,” in Eva Man ed., The Politics of Cantonese : The Differences and Multiplicity of Hong Kong Cantonese (Hong Kong: Chinese University Press), 65 – 79.
〈五六十年代香港粤语功夫片的文化想象〉,文洁华编《粤语的政治:香港粤语的异质与多元》(香港:中文大学出版社) ,页65 - 79。
Lo Wai Luk (July 2014). “The Dynamics of Frame: Framing and Reframing in Wong Kar-wai’s Films”Avanca∣Cinema 2014, Portugal, 1465 – 1472.
Lo Wai Luk (March 2014), “The Acting and Screen Image of Hong Seng Nui,” Film Art, Vol 335, 2014 No 2 (Beijing: Association of Chinese Film Artists), 140 – 146.
〈红线女的表演艺术与银幕形象〉,《电影艺术》2014年第二期,总355期(北京:中国电影家协会) ,页140 - 146。
Lo Wai Luk (Dec 2013), “Handsome Scholar and Blant Young Man: The Two Faces of Yam Kim Fa,” Siu Han Wong, ed., One Hundred Years of Haunting Beauty: International Conference on Yam Kim Fai (Hong Kong: Chung Hwa Press), 293 – 305.
〈风流才子与憨直少年:任剑辉的两张脸〉,黄兆汉编《惊艳一百年 - 二O一三纪念任剑辉女士百年诞辰粤剧艺术国际研讨会论文集》(香港:中华书局),页293 - 305。
Lo Wai Luk (July 2013). “Embodied Chineseness: A Study of Bruce Lee’s Screen Image and Body Character” Avanca∣Cinema 2013, Portugal, 147 – 154.
Lo Wai Luk (Dec 2012), “Hong Kong Drama: Cultural Politics and Aesthetic Nature,” in 35th Anniversary of Hong Kong Repertory Theatre(Hong Kong: Hong Kong Repertory Theatre), 65- 73.
〈香港戏剧:文化政治与美学特质〉,潘璧云编《香港话剧团35周年戏剧研讨会 -「戏剧创作与本土文化」讨论实录及论文集》(香港:香港话剧团),页65 - 73。
Lo Wai Luk (Dec 2011), “The Cultural Politics and Aesthetic Practices of Contemporary Hong Kong Dram: on Several Post-modern Paradigms,” Journal of Modern Chinese Literature, Vol 20, 35 – 56.
〈当代香港戏剧艺术的文化政治与美学实践 – 兼谈几个本土后现代主义范式〉,《中国现代文学》半年刊,第二十期,页35 - 56。
Lo Wai Luk (Nov 2011), “Shadow Play and Non-Shadow Play – The Evolution of Film Language in Early Chinese Cinema,” in Chinese Cinema: Tracing the Origins (Hong Kong: Hong Kong Film Archive), 206 – 220.
〈「影戏」与「非影戏」 - 早期中国电影的电影语言演进〉,《中国电影溯源》,香港:香港电影资料馆,页206 -220。
Lo, Wai Luk (Sept 2011). “Traditional Chinese Aesthetics and Contemporary Chinese Films—Applying the idea of Qi-yun to understand the temporal structure of selected films of Hou Hsiao-hsien,” East Asian Cinema and Cultural Heritage: From China, Hong Kong, Taiwan to Japan and South Korea. Basingstoke, UK: Palgrave Macmillan,81 - 100.
Lo Wai Luk (March 2011), “The Aura of Time: On the Artistic Construction of the Central Union Film Company,” in The Memories of Tim: Central Union Film Company (Hong Kong: Hong Kong Film Archive).
〈时代的气韵:说「中联」的艺术构成〉,《我为人人:中联的时代记忆》,香港:香港电影资料馆。
Lo Wai Luk (March 2011), “From Lu Dun’s Art Pr