Founder & Chief Editor: Global Storytelling: Journal of Digital and Moving Images
Professor
yingzhu@hkbu.edu.hk
34117398
Dr. Ying ZHU is the founding editor and editor-in-chief of the peer-reviewed academic journal Global Storytelling: Journal of Digital and Moving Images. A leading expert in Chinese film and television, Her research areas encompass Chinese cinema and media, Sino-Hollywood relations, and streaming media and serial narrative. She has published four research monographs including Hollywood in China: Behind the Scenes of the World's Largest Movie Market (2022) and Two Billion Eyes: The Story of China Central Television (2013), and six co-edited books including Soft Power with Chinese Characteristics: China’s Campaign for Hearts and Minds (2019). Her first research monograph, Chinese Cinema During the Era of Reform: The Ingenuity of the System (2003) pioneered the industry analysis of Chinese film studios, with the Journal of Asian Studies calling it “a path-breaking book that initiated the institutional study of Chinese cinema.” Her second research monograph, Television in Post-Reform China: Serial Drama, Confucian Leadership and the Global Television Market together with three co-edited books—TV China(2009), TV Drama in China (2008), and Television Dramas: The US and Chinese Perspectives(2005) pioneered the subfield of Chinese TV drama studies in the West. Her work has been translated into Chinese, Dutch, French, Italian and Spanish. Zhu is a recipient of a US National Endowment for the Humanities Fellowship, an American Council of Learned Societies Fellowship, and a Fulbright (China) Senior Research Fellowship. Appeared on NPR etc. She is currently working on a project concerning the longevity of serialized storytelling as a narrative form and format and the metamorphosis of serial and series narrative during the era of global streaming delivered by major (US) online platforms.
Previously a faculty at the City University of New York, Dr. Zhu is currently a professor in the Academy of Film at the Hong Kong Baptist University and an adjunct professor in the school of Arts at the Columbia University.
2022 |
Hollywood in China: Behind the Scenes of the World’s Largest Movie Market (2022) |
2019 |
Soft Power with Chinese Characteristics: China’s Campaign for Hearts and Minds (Coedited with Stanley Rosen and Kingsley Edney, Routledge, 2019) https://bunews.hkbu.edu.hk/news/knowledge/new-book-by-staff-20-march-2020 Review on The American Interest: https://www.the-american-interest.com/2020/03/30/hard-truths-about-chinas-soft-power/?utm-access=mbayles |
2015 |
Two Billion Eyes: The Story of China Central Television (New York: New Press, Hardcopy in 2013; Paperback in 2014; Spanish Edition in 2015), 291
Review: |
2008 |
Television in Post-Reform China: Serial Dramas,Confucian Leadership and Global Television Market (London: Routledge, 2008), 176 |
2003 |
Chinese Cinemaduring the Era of Reform:The Ingenuity of the System (Westport, CT: Praeger, 2003),230 https://www.proquest.com/openview/fd69e9c7b82c6ec6be6b3f9709edb8f0/1?pq-origsite=gscholar&cbl=40508 |