《杀手#4》电影分享会 Road to Vendetta Film Sharing

《电幻末日大屿 Knit's Island》电影放映及分享会

Book Talk "East Asian Auteurism, Cinephilia and the Media Platform Era Film Authorship Rethought"

《阿龙》电影创作分享会 "Atonement" Film Production Sharing

Alternate Visions: The Birth of American Avant Garde

The Reshaping of Chinese Images in Sino American Film: Negotiating Language Identity and Culture in the Diasporic Space

Between Decline and Dominion: Screenwriter Authority and TV Drama Production Cultures in Hong Kong and South Korea

Earthbound Orientations: Sinosphere Extractive Mediation Beyond The Vertical Turn

From Conventional Disciplines to Interdisciplinary Approaches: Cinema as a Case Study

《私家侦探》电影团队分享会

Transmedia Innovation in the Webtooniverse

Virtual Disruptions: Rethinking Film Labor and Authorship in the age of AI and Real-time Production

The Truth Behind Protectionist Measures in the Film Industry: Do They Really Work?

‘Black Box Diaries’ Screening & Talk

《看我今天怎麽说》创作对谈会

The River International Film Festival in Padova and the founding of small film festivals in Italy

《三命》:宿命？或是偶然？

《1994》致敬港产片的创作背后

Entertainment 3.0: The Fusion of AI, Web3, and Digital Art

薯茄之道 创作分享会

Brown Bag Seminar Series

AI Filmmaker Workshop

Content Market Trends of the World and BCM's Strategy

AI Filmmaking Workshop

The Last Dance Symposium

The Question is the Key: Exploring AI Filmmaking

Rethinking Altman as Anticlassical

Symposium with French Film Director David Teboul

Professor SHIN DONG KIM: The How and Why of Korean Media's Global Reach

Festival 7eme Lune Selection "Lung Fu": Screening w/ Share

Entrepreneurial Workshop

Journal of Digital and Moving Images" - APOCALYPSE TELEVISION, THE DAY AFTER, AND PRODUCING TO POWER

Gaming Reincarnation Inside the Chinese Pressure Cooker: Reading, Streaming, Teaching Reset

Global Sinophonia 14 - Criminal Realism: Censorship and Hong Kong Crime Films in the Long 1970s

Global Sinophonia 13 - Revolutionary Becomings: Documentary Media in Twentieth-Century China

“The Art and Innovative Practice of CGI in Mainstream Cinema"